ArtMoscow VIENNAFAIR as ontology and the outcome of the Russian sovriska in favorable climates.
The photo work Dm. Gutova with Viennese fair sovriska.
Вложение 1737291
In focus not understand talk of competition ArtMoscow and Viennese fair sovriska VIENNAFAIR, purchased this year by Russian business Sergey Skaterschikovym.
Clear the degree that
Russian contemporary art is very few people need.
Buy it in this country for a long time will be only an extremely small collectors and rare museum-gallery. The market, which may be bright style global phenomenon, is possible in Russia after 25 years. This will happen when learned in Paris-Landon children perestroika millionaires will come on vacation to my parents and amazement to inquire, why parents continue to enjoy the wallpapers in the real estate value comparable with the budget of Botswana.
Provided protesters dressed as clowns with crosses of St. George in the center of contemporary art, as a gallery owner, I would have made the decision to transfer the work to the Russian artists abroad.
By as much as $ 3 million gain by selling at ArtMoscow!
This is my, what an incredible achievement!
Amount approximately equal to the annual bonus is not the coolest manager of any corporation.
This is not a victory, but a statement of the total failure of "modern art in Russia."
And I really liked the idea of Manehem where Tsereteli and Sviblova and many more who from among the active players of our art space will now be its permanent personal zagonchiki. This, of course, the top of grace.
Now try to rebel gentlemen curators. At the time will lose the most central exhibition space.
... And that is especially insulting is the fact that even though the entire Guggenheim with Tate Modern bring in badly cleaned of honey and felt pads fair coats Arena, still get the output from the room angry mudachil the militarized form of calling all women to wear scarves and knitted tights and museums exhibit some gracious vomit like glazunov-style.
Instead of settling for another exposition site, make a great educational center. Establish grants for polutorasoten (at least) artists. Not much poorer Gazprom, which is always the dreams come true, I'm sure.
You can not build without end exhibition policy in the capital of our country, relying only on the foreign authors. Even Peter I, 20 years after the beginning of its reform got its own layer of modern and competitive European authors.
Time exhibition curators passes, an era of educators - teachers, lecturers and leading seminars and workshops. To get a lot of visitors, you need to educate them and learn. Without the new era of the Enlightenment, we are in a new dark age and the reputation of the country, where they live and no future, no present, only the past, where the phrase "modern art" amount to criminal Kara blasphemy.
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From the blog of author Kirill Alekseev.
http://nikto001.livejournal.com/ (senior fellow at the Tretyakov Gallery)