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Сообщение от Art-lover; 2232951"
Is there any niches for contemporary art market relevance? In fact, one: the production of emblems (objects or events), used for ideological and political disengagement and design appropriate identities (Bunt pussies and so on.). In this great game curators-experts - intermediaries, not customers. Who are the customers - decide.
All other fruits AI - horror stories, smeshilki, vertelki, Noise Maker and so on. crafts, full of conceptual straw, trying to win a piece of living space in the toy market, razlecheny and garden sculptures. On this patch of curators really running the show, using art as a material for the realization of their own artistic ambitions.
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Art-lover, <! - ~ 1 ~ -> In general, I am a good horror story smeshilkam, vertelkam, and so on. Unless of course the meaning of the utterance is not confined to the very effects or anecdote. Art is expanding its territory and there are issues that can not be open like in the picture. Besides, if you can increase the impact due to special effects, then why not. All of which helps to develop the theme may be. In contemporary art there are artists working powerfully, but usually they go beyond the relevance of at least one foot. Just those who are running the show at the Russian contemporary good to see that fresh blood will not spoil their ancestry, and will help to avoid degeneration. Another thing is that the blood must be really fresh, not a hundred years ago.
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Сообщение от Art-lover; 2232951"
Artists do not produce meanings. They have them or illustrate, or ignore).
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And then who? Who wrote the text?
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Сообщение от Art-lover; 2232951"
Posted by Tasha View Post
Update to the market may become sovriska motto - New Sincerity!!
Tasha, a few more exclamation points - and we all believe it ...
At a young naive new AI blooms with long aftertaste of stale concepts.
However, where the AI infected sincerity - the disease is not fatal only recognized, financially independent bison - it drifts toward pop and classical genres, etc. (on our soil - Osmolovsky ("The task of art - call catharsis"), Kulik and others. )
In one cart can not harness a horse and quivering doe: or AI, or sincerity.
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Under sincerity I did not mean naivety or innocence. Rather honesty in choosing "What." The "what," says the artist has to touch it to tremble at the knees. A form can be anything, it does not matter. If you know "what" you say, the form itself will come and fit perfectly. It can be a painting or installation, or object that you want.