Цитата:
Сообщение от sur
How do I tell an artist who in the dashing 90 stood on the Arbat, which attempts to get something from the artists there selling left even the local lads, who kept the Arbat. It was impossible to get anything from them, because the artists were able to hide and blunt.  |
In Arbat since Soviet times there was a struggle roofs, which fought for the right to rob artists. Especially when the forbidden currency. Moreover, on any punctures reported in the community. A curator of my local MVD was curator of entrepreneurs. Officials, as I then thought, chudili all. All and then killed. Older chasing younger. Tell the truth of what was then and now I will not risk.
Diminish the tax not to. Experience of personal communication. With voter nat. person primarily arranged his "examination" by the knowledge of tax laws and record keeping. And the results can fluff up until weaning property. Not caught - just until he was caught.
Now for the galleries. If the gallery is not a gangster and has a VAT number, it passes to the tax records, which are all artists. Information will be sent to the place of residence of the artist, and the local tax authorities have to find the relevant information from the declarations and buh.otchetov. If there is no match, or a fine, or landing.
Gangster picture perfectly detected remotely. They are not too sophisticated. They can exist for a long time, but in the spec. supervision. Chudil all easily identified. Your choice: Or a baseball bat to the bones of the bandits, or shtrafik from tax.
And when the artist in his apartment on a pair naedet Mercier Arbat Tale, the legitimate artist can ask for help on the internet and ... tax authorities. I remember during the Soviet era at Vernissage once disappeared roof. It turns out tax raid then spent ...
And in our time just disappears firm. Even gangsters. Its employees, as a rule, no one is interested.
Taxes will have to pay everything. Accordingly, the price increase of paintings.