in Bakhchisaray wrote a series of landscape sketches and make sketches and watercolors for genre painting "Embroidery department first weaving collective in Bakhchisarai", which already wrote on his return to Moscow.
"Village" series in 1930 in addition to many landscapes, includes images of pets and birds. Typical works include: "Chickens," "Chicken in a basket", "Picture for children."
In the same year began to write a portrait of Alexander Pushkin. The artist decided to depict the poet at the time of the morning of creative work, sitting on a green couch in his shirt, tucking in the Eastern bare feet. Preparing to work on the painting, Konchalovsky made several sketches of the naked female body on the background of green couch, studying the relationship of tones the body and sofa upholstery.
Work continues on the portrait and into next year.
In the summer the artist lived in Barvikha outside Moscow, the fall is going to Leningrad and then in Ryazan, where he wrote a series of landscapes.
One of the strengths of their things written in Leningrad, the artist finds an oil sketch "House of Peter in the Summer Garden.
Immediately after the Leningrad Konchalovsky wrote the winter landscapes of Ryazan, followed by the streets of Moscow.
Winter 1931 wrote two portraits: Portrait of the pianist Vladimir Vladimirovich Sofronitsky the piano and a portrait of Japanese women, which solves the problem of dynamic portrait.
Winter 1932 acquired a dacha in the Knobs (part of the estate Obninsk "Belkin") of Maloyaroslavets, in the Kaluga region. Writes a series of landscapes, bouquets of flowers and flowering gardens, still lifes, sketches of the female body among the landscape and genre studies. Since 1932, begins a series of children's portraits granddaughter Katya.
At the end of the year performs sketches of scenery and costumes for opera, V. Ferrari, "Four of a despot" (in plot C. Goldoni) for experimental theater in Moscow and to comedy C. Goldoni "Mistress of the Inn" for the Moscow Art Theater.
"I have long since wanted to return to the scene of this painting, so hastily banished in favor of already bored and almost anachronistic so-called constructions. I want to give the scenery is extremely pleasing and miserly in the details, but made with a laconic, which can be perfectly combined with a theatrical reality, with a stage prop. We have to give the theater are commonly written by picturesque scenery, which would have merged together all the costumes and the stage are the original items that they "grow" in the painting. Such decorations were quite possible, as the experience of the "Four despots ". Op. by Nicholas, op. cit., p. 98.
Also in 1932, travels to Leningrad to work on decorations for the State Academic Bolshoi Theater.
Autumn of 1933 goes Kutaisi. However, most of the time in the period from 1933 to 1935, lives in the hills, where portraits of outstanding figures of culture.
It was written over a hundred portraits, among them portraits of Prokofiev, VV Sofronitsky, AO Stepanova, NS Golovanov, V. Meyerhold, A. Tolstoy, KS Simonov , VG Dulova, Dovzhenko, S. Marshak, B. Yakovlev, AI Khachaturian, Z. A. Dolukhanova, A. Cortot, C. Zecchi, Albert Sanchez, etc.
Also continues to work on landscapes, images of bouquets of flowers and flowering gardens, still lifes and genre sketches
In 1937 went to Kirovsk and Apatity which also continues to write. In the autumn of this year, wrote Still Life "Meat, poultry and Brussels sprouts."
1938 travels in Khokhlov. Works on the painting "khokhloma risovalschitsy.
In the same year he painted a portrait of Meyerhold in his home on the sofa, against the background of the carpet.
In the summer of 1938 is going to Kislovodsk, which makes a series of sketches of the grape harvest and winter paints a picture, using this plot.
In 1939 he made a trip with his son in the Caucasus.
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