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Сообщение от Cyril Syzran

I do not judge - I gave an opinion about this film professionals - kinemetografistov and critics.
But I must confess to guard and do not watch enough positive comments of certain people about this film.
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Ruskino.ru - Svetlana Stepnova - "Chapiteau show" sure to view all the fans of good, fun, entertainment cinema, as well as those who go to the cinema to rest after a hard day of work. Do not be afraid of the terrible words "art house" and "author's picture" - the story is interesting and understandable to everyone! You can start with any part, but I would recommend to first look "Love and friendship", as in the finale of "cooperation" revealed a small but essential mystery of the plot.

Newslab.ru - Sergei Mezenov - Absolute seriousness of their dramatic intentions correlated only with infinite irony of their own relationship to any seriousness. And though these things seem to be mutually exclusive, the "Chapiteau show" they are defying all the calculations about the impossibility of meeting destructional power and irresistible impediments which nullify each other, and three and a half hours of dancing in front of our eyes outlandish pair dance. Verdict Kocheryzhkina - the devil oppression - the best Russian movies for goodness knows how many years

Film.ru - Olga Shakin

In the "Chapiteau show" was the first true. During the viewing room at the Moscow International Film Festival came out laughing on every word - it was the joy of recognition: "Our words say." Scenario "Chapiteau show" and the truth to the eyeballs packed with jokes - and that is who got into an uncomfortable situation, but laughed it off, at worst - to tell jokes? From this postmodern stream of stories, reprises, aphorisms, quotations, and is seemingly a fraction, but in reality - in its discrete almost unprecedented four-hour whole cloth. Fun and easy to view, but ultimately leaving devastated.

Filmz.ru - Anatoly Yushchenko -
"Chapiteau show" prudently divided into two series, lasting a total of three and a half hours: the first tells us in detail about the "love and friendship," the second - at least in detail about the "respect and cooperation." If sweeping timing and the need to buy two tickets to the movies is not scared, be prepared for that time and money will be repaid immediately upon viewing.

full text of the reviews here

Circus divergent trails
Lydia Maslow about the movie "Chapiteau show" Sergei Loban (Kommersant.ru)

All gallery 5
The best Russian film of at least the last year, "Chapiteau show" award special prizes of the jury at the Moscow Film Festival, for a long time could not squeeze into the theatrical rentals, including by reason of an unusual format: a picture is composed of two parts, each of which, in its turn, contains two stories, and all the fun lasts for more than three hours. But it is the rare case when, during a show not to entertain thoughts that could be reduced, and vice versa - at the end of a 3-hour presentation with a 15-minute intermission would like to ask a little more for something like that, it was too original authors , screenwriter Marina Potapova and Sergei Loban, look at the world in which, in general, nothing unusual is happening.

In the "Chapiteau show" in terms of plot all just a rather ordinary boy with a girl learn about the network, designate a meeting in the real world and go to Simeiz deaf baker, meet new friends and traveling with them in Simeiz, the father met with an adult son and takes him to Simeiz, the producer finds a counterpart Viktor Tsoi and finds him in Simeiz. The main attraction of this film Simeiza - white tent where the show is played out every night of doubles: Marilyn Monroe with the astronaut's spacesuit peels, under which a bear found, soon perishing from the hand of a bullfighter, Elvis Presley begs to love him dearly, hanging above the stage on a rope and knocking down tables with glasses and bottles of spectators, Michael Jackson sings a song about Moidodyr and dances with a giant sink, Freddie Mercury, an acrobatic show sketch with guitar and insisted: "Let the last show!" Controls the booth is clearly insane Shpagin director, played by film scholar Alexander Shpagin having a reputation in some circles at least reckless. This is one of the principal moments of Lobanovsky direction, built on the destruction of the stamps and fracture patterns: professional actors had less than a nonprofessional artists who, in fact, play themselves. For example, in the last story about the co producer Sergey Popov in the role of producer Sergey Popov demonstrates the minimum gap between cinema and life, illustrating the fact that every person in all its absurdity and strangeness (strange and absurd and, by definition, every man) is walking an artifact , a complete work of art that does not require a special director's intervention is easy to open and ready and attentive unblinkered view. This view is not in the surrounding reality, seeks out some exceptions, for nothing similar objects, but on the contrary, in the most ordinary object displays its uniqueness, the uniqueness. In the coordinate system "Chapiteau show" does not matter, you're Elvis, or Shpagin Popov - in terms of the Almighty director, to which people play out their endless play, all characters are equally interesting and aesthetically compelling.

Such a democratic view of the world as a total marquees and the actors inhabit it contained the germ of the first film by Sergei Loban - filmed in 2005, the "Dust", which immediately led to remember the name of the director, but could still appear in some formal experiment frivolous, frivolous joke young author seeking unconventional methods and groping neizbity not burdened by cliches cinematic language. A few years later it became clear that no new language and do not need to "show Chapiteau" - quite traditional in the classic film and an impressive sense of the word, the canvas of epic proportions, easily fits in the main competition of the State Film Festival, and in the daily life of the viewer, to pull apart "Chapiteau show" on the quote and someone will inevitably know of the characters themselves. It is also inevitable, and the final total of all four novels in which the tent burns down, but the ending of this issue - this is a spoiler, how to tell in advance that a person will die at the end of life. In the "Chapiteau show" all the characters are alive. Die, rot, playing out the relationship between human beings, whatever their content: as the four basic components of human interaction film examines love, friendship, respect and cooperation, all of which suffer the same collapse of the comic, but a fatal inability to keep them completely abolishes the normal human desire to immediately begin building a new booth on the ashes of the old.
More information: http://kommersant.ru/doc/1848971?themeid=102

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Posted 7 minutes

Сообщение от Cyril Syzran

The more vulgar comedy, the lower the level of humor in it, the greater the popularity with "shirnarmass" waiting for this, so to speak, filmets.

In comparison with the prolonged and clearly overvalued, "Dust," "Chapiteau-show" is, of course, a big step forward. However, the fact that the film director Sergei Loban calls himself a modern Gaidai said except that the limitations of his social circle. Gaidai films were funny for everyone, from milkmaids to professor, and "show Chapiteau 'closest modern urban intellectuals - young and middle age. Perhaps the enthusiasm surrounding this film is really excessive, but people can understand - in Russia is really not very long shot just good intelligent comedy.