Exhibition Svetlana Tkachenko "remnants and remains of ..."
Curator Uta Kilter
Signs: find a button - for luck, and if more and more, and with 4 holes - fortunately ...
This "myth" - it does not look retropraktiki and not a vector directed in the past, but a hoax, spilled into reality. Reversed by relevance. The idea of the project is simple: either to inflate the myth of Odessa to the absurd, or expose, but in any case, obtain glory - Gloria - their city.
In fact, it is that people refuse to live in the present, it is not important for them (?!).
Walter Benjamin believed that in the representation of happiness in humans will certainly present a different view: deliverance from the actual present and insistent appeal to history. The inherent late Renaissance and especially Baroque era theme «vanitas» - dimmer vanity of being imposed an image of skeletons and skulls in the paintings and drama (from which the skull of "poor Yorick" to Damien Hirst). The inexorable passage of time compels stung him, but unlike the individual from the individual and consists in the understanding of the fact that you are mortal. You too are mortal! Here they are, clocks, ticking, that sand flowing down into oblivion. And then the question arises about the value of your life and the price of uncultivated living life "(Svetlana Tkachenko), regardless of conjugation with eternity works of art.
Who became the remnants of the old stories, authentic costumes exhibition contains more and "remains" of our cultural heritage. After the city without the Opera House is, by definition, a province.
RIVER time (sea time) - a classic! Opera singer - diva (from «divina» - divine), a ballerina! Not a saxophonist and flutist!
In the exhibition the viewer is a rare opportunity to see close - and even very close - the remnants of the original costume of the evil genius Rotbara from "Swan Lake", the mice from "The Nutcracker" from the opera "Peter I» (and this was), "Rigoletto", " Iolanta "," Giselle "... All work - manual, all - true. This - images, action has already played by others, actor.
It has placed no one needs, you can step over all - tread? Spread-eagle on the walls? Or, to put before the man as «vanitas», giving him the opportunity to partake in actual experienced eternity, eternal myth ...
Uta KILTER
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