Цитата:
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Сообщение от IV; 1919401"
That's very interesting all the same it was to hear from dealers and gallery owners in this regard.
Why, in fact, this kind of simple, but attractive scheme in Russia does not catch on? That Western artists have less fear of our line method?
And why writers are ready to "enslave" a contract (the first and they are always scared of each other) every year, unlike artists, are more and more? Do artists have so radically different from the writers that even just a little do not want to go to meet the market? Or am I mistaken?
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IV, I have some thoughts on the matter, will not be able to give very detailed answer, but it would be so short. Western art market is very different from the domestic first of its long lifetime, as well as the number of "interested spectators" that is, the percentage has held collectors, as well as potential. Economic status and financial capabilities of most of these "interested", and the sheer number of "interested in" art - all this is disproportionately higher in comparison with the Patriotic. the citizens.
Yes, and state. support the entire system (already existing) art in the West, it is also not comparable to the domestic, and it affects the interest and etc. etc.
In Russia must still develop only, and the more people will be involved in this the better for all in the future.
And artists, writers differ from the course, the writers are working on a project which has a circulation, and the artist, each piece is unique.