World, and I, VI Borodin praised for my advice to you to apply it with your thing and this has led an interesting example from real life:
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And you Cyril, thank you ... for being sent to World to me with her piece.
After all, if it fell into the hands of our "experts" the outcome could be the same as with the "Still Life with a Samovar". Indeed, the only mention of this film in the artist's notebook is here, it was never published. So good luck to the owner of that photo fragment hit me.
Two years ago I sent out a picturesque landscape GTG 1924 Petrov-Vodkin, made the same trip in Paris, with the image of the Seine. He brought her to a TG man over him there laughed, saying that it is not Petrov-Vodkin, and he went to the "unknown". One staff member familiar yet sent me a photo of this landscape. And though, at first glance, I also have doubts about the authorship of the Petrov-Vodkin emerged, but the second and third glance, these doubts began to decline, but the other day I found all in the same notebook record of the landscape (Petrov-Vodkin really "clean "landscapes, wrote little, but there, in Paris, he painted landscapes on the customer's request) with the image of the Seine. Perhaps it is this landscape and is referred to in this notebook. But the "trace" is also the man who brought this landscape in the Tretyakov Gallery. So life has taught me not always rely on first impressions.
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Added after 5 minutes
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Сообщение от tivat
Are you talking about his "alias" Cyril Syzransky?
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Outside forumnoy correspondence and live phone calls on Skype and I represent real name, not to mention communication in real life.
At the forum, I ask obraschatsya me on forumnomu nickname,
tivat.
Added after 6 minutes
Цитата:
Сообщение от tivat
Are you talking about his "alias" Cyril Syzransky?
|
Outside forumnoy correspondence and live phone calls on Skype and I represent real name, not to mention communication in real life.
At the forum, I ask obraschatsya me on forumnomu nickname,
tivat.