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Сообщение от Meister
but now understand that when it was done, already difficult in my opinion ...
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Yes, these dates have long engaged. But many have simply said, later repeated and all.
"In 1929, for the solo exhibition at the Tretyakov Gallery Malevich suddenly made a series of figurative paintings, presented to them as the work of the early period. But it soon became clear to many of one thing - Suprematist cycle is completed, Malevich began to return to fine art. To begin with, he just did voluntary repetition of earlier compositions: for example, the prototype pattern "on haymaking" served as stored in the Nizhny Novgorod Museum "Kosar". All the changes that have occurred in the life and work of Malevich, are ochevidnymi.Mnogie his works, and it is logical and mythological, represents a path from Impressionism to Suprematism. And after that, the last Soviet era, this has been confirmed by the author's dating of the paintings arrived. Such as:: "Spring - a lush garden - 1904 (an early example of creativity)," Sisters "- 1910 (sezannizm)," On the hayfield " - "motif in 1909 (the beginning of cubism)," Dressing Box "," station without stopping "- 1911 (cubism)," Black Square "- 1913" Woman with a rake "- 1915," Girl with a comb "and" Girl with a red shaft "- with original dates, 1932-1933. But in half a century, an amazing hoax Malevich was disclosed for the eye of the viewer. Issues relating to his creative evolution, which appeared already in the preparation of exhibitions in 1988, becoming increasingly becoming the most lives, existence of the artist's works in different exposures. Timid assumptions about the author's reconstruction in the late 1920's his career found new arguments and new supporters. In some catalogs and books began to appear late date of the creation of works (1928-1932), despite the author's paintings dating 1900 -- mi years. "(c)