[Seriy]

Oil pastel pastels too, sauces there too, and coal is closer to the pencil, I think, off-topic.
The principle of participation in an exhibition like the Royal Academy in the UK - there hudsovet, sits and stares into a queue of work that could bring any artist himself, runs hudsovet very quickly this year - 2 hours, who did not, that was late. There are no "atrocities" on hudsovet no, honestly, quickly and professionally. Everyone selected, pay a symbolic fee for the hanging and reception. Immediately after hudsovet starts hanging, installation and then every other day-discovery. There is also the date when the work should take back. Number of selected works, probably determined by the area of ​​rooms set aside for the exhibition. It should be understood that, when weighing is carried ranking, so that the most successful, meaningful work hung in the place of honor (as the work of Peter), and other works will be in the back alleys such corridors CHA, what to look for them will have to be very, very hard :-)
Old-timers say that the creative environment in the CHA inherit the Creative Artists Meeting at the House of Artists at the Kuznetsk bridge (when CHA was not yet).
NATA, I believe, to participate is not a problem, the problem - were made. As I understand it, to bring only new environments, nowhere illustrated work. At many papers still do not paint dry, or the artist sits in a queue at the same time hudsovet appending something to the picture.