The book is available now. In large networks, and in special small shops.
By the way, the exhibition is called "The Price of Freedom" as the eponymous small still life, which harmoniously combine the dried fish, but free, and fish living in the comfort of your aquarium. About the same price of freedom of the artist in contemporary society. On account Lubennikova - many large monumental works, unfortunately, came to the last years of Soviet power - the era of "stagnation." Little has been preserved. Closed Russian-Soviet policies of Auschwitz (on Russian section of the international museum of "Auschwitz," the artist worked in 1985.) Hidden panels, and possibly destroyed by painting the club Trekhgornaya Mill (1982), the Propylaea mutilated Museum of Mayakovsky (1991), dissolved in an uncivilized Wild commercials metal structure over the old building Taganka Theater (1987). This is partly why the artist accompanies the easel paintings by photo-and video-materials, fixed processes for creating monumental works.
Fortunately, among the works Lubennikova is "eternal", above which no power nor time, nor ill-will of people: the design of metro stations.
Here is a great interview with the artist: "It's very trying, as the metro - it's all"
http://www.gazeta.ru/culture/2011/10/18/a_3804830.shtml