a little more about the book
The two-volume "Ivan Lubennikov. Work in architecture. Painting. Book to read, "which includes information on ten architectural objects with the comments of the author and leading architects, art more than a hundred and fifty paintings (first volume), as well as artistic and nonfiction (second volume), released publisher Agey Tomesh /WAM (World Art Museum), with the participation of Russian Ministry of Culture and the Agency for Press and Mass Communications.
Recently, artists have often turned to the literary genre. It is easy to understand. As Ivan says Lubennikov: "There are things that do not will draw and not blind."
Of course, creative writing does not come all at once, but in the case Lubennikovym all logical. He had long and successful teaching at the Institute. Surikov, an excellent command of language, and not only Russian, well-educated man, familiar with the cultures of different countries, with extensive creative and life experiences.
Therefore, the literary work of Ivan Lubennikova is destined for the reader's interest. You always want to see a stranger, artistic, in this case, the world inside, eyewitness and participant in the art process, when you think you can "peek" or "ferret out" some secrets.
As the author himself says, his prose is devoted to time and space and, of course, people. In the story two times - and the domestic general move towards each other.
The first part Lubennikova - dokumentalizirovanna stressed. It is divided into chapters-large projects. Work on Ivan describes each seemingly dry, but with great inner strength, calls the real names of people, one way or another "accompanying the artistic process," not choosing words that describe typical situations that arise during the implementation of major art orders.
If the first part of the book talks about creativity, about the history of creation and realization of art objects great master, the second - for the people. In entertaining fashion artist shares his impressions of travels to his native country, for Europe and Latin America, recalls his childhood, thinking about art.
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