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Старый 03.10.2011, 19:02 Язык оригинала: Русский       #32
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Сообщение от Cyril Syzran Посмотреть сообщение
To increase the need to prepare the soil, loosen it, unavazhivat >, and need a search and some forums of communication - exhibitions, competitions, prizes such Biennale and t . etc. - "pioneers" are not taken anywhere.
Here Kabakov, he long decades preparing for his exit at the forefront of contemporary art. There were no such opportunities for information exchange among artists unconventional directions, all happening in the shops but in the kitchens of private apartments.
These shows and exhibitions, Biennale of Contemporary occur throughout the world regularly and often.
At the heart of every western city has at least one major museum of modern art, but the Chinese, for example, with their thousand-year tradition and is now open them at an alarming rate, and in our sister city of Samara Stuttgart, Germany more than 50 galleries of contemporary art only.
 Does not happen in the world of cultural and modern cities, where there were no galleries with installations, art objects and video art.
We have it all too little, and, in my view, events such as Kandinsky deserve at least the approval, that is used. from the lips of a professional in the field of art.
About the events themselves - I am absolutely indifferent. A priori, any attempt to better traffic forward, than the absence ( might have something to germinate and ). I see just a few of Contemporary Russian, but I see a cargo of American pop art of which he is entirely and left. But the pop-art has grown organically in a consumer society, and there it is really important, but in Russia it looks like a drop of art degrees, and we are not talking about shapes.

Threat And 15 years ago, Contemporary I was wondering what is going on there now - even the drum, for the reasons described above.



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