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Ultimate reality NATALIA KASPIROVICH
You have eternity hostage of time in captivity.
Boris Pasternak
Artistic reality Natalia Kaspirovich exists in the nonlinear equilibrium. Its harmony is built of the paradoxes and contradictions of fiber spaces, living in formal opposition, but at the same time acquires a new unity and harmony. It's a world of deep layers of the subconscious world, present in us in the passive voice, he turned over on us, forcing him to dive, losing gravity, both in space and oriented system of coordinates. His phenomenal determined by limiting the presence of us, are absolutely identical with us, where there is, as the artist herself says, "no top or bottom," and everything turns into a "substance, totally surrounding us." Actually, the work of Natalia Kaspirovich should be considered and - extremely close, as required to do this Mark Rothko and Wassily Kandinsky, not a distance, without seeing the edges of the track, leaving in its internal dimension. Metaphysical space of the artist at his absolute proximity to our optics and consciousness, obviously is our true reality that we are not inclined to recognize and accept only at critical points in the revelation. She recalled, as evidenced by Natalia Kaspirovich, "a children's kaleidoscope" its endless variations, instant change, discreteness, the inability to see its boundaries. But at the same time, its images are realized by us as a singular integrity, disturbing, and sometimes brings the concern for its beauty and, ultimately, to its very bottom, is experienced as a genuine reality, relentlessly demanding his confession. She flashes her "mirage" of its form recognizable images of our deepest, remote memory, as if it belongs to our pre-natal states, and therefore has no name, no categorical apparatus that it can be put into one of the niches of our intelligence.
Before us is a true art which has not yet separated from the vital matter of its plasma is not formed its iconology, but at the same time, of course, has high aesthetic qualities.
Attitude that is present in the pictorial composition Natalia Kaspirovich, gets its certainty and clearly the creative artist in a gesture of its facilities in the project, designated as "hostages." Where the earlier series of works was to "hang" phase, in the blink of an in states of Zen calm, the "hostages" manifest our existence in the "hard contours," as Kasimir Malevich. Each of the "hostages" in the present postistorii, when time itself ceases to be detected, or it, materializing, symbolizes his ruinirovannost. Time in the space of existence, living "hostages" absolutely traumatized, and the "hostages" are with him in captivity, however, just as a prisoner of the space. Restriction of degrees of freedom "hostages" is realized only through their own efforts of these "characters" of their personal destiny. They are immersed in the very threshold of the limit of the lower layers of existence, of which can come only by people who openly want to leave this world the "bottom" and "depth". Fear, helplessness, futility of any action, any positive actions accumulate, gather in the "weight" in the gravity of the "hostages" were looking at us from their "closeness" of existential pipes where there is no horizon and the world opens a black hole in space. Light entering the tube habitat hostage, no longer able to return to our ordinary human dimension. It is an illusion, a hollowness, a reflection of the shadow, in the deformed pattern, distorting the face of a hostage and, at the same time, locating it as a simulacrum.
Who are these hostages, living within, on the edge, or, perhaps, in our understanding of them lies the mistake? Maybe it's the guards of human capabilities and limitations of ascetic, which Boris Pasternak styled as a "hostage of eternity" that are "at the time in captivity," the doomed, but the "doomed" to salvation and the salvation of us all?
Vitaly Patsukov
INNER SPACE NATALIA KASPIROVICH
To tune in to the work of Natasha, to catch the right wave to them, you may need to return more than once. So it should be. Her things are not meant for "quick" review. The point, of course, not only in their fullness and busy (another vanishing virtue in our fastest time). Just the viewer must first thoroughly shaken in a zone of turbulence, meaning that precedes entry into a dialogue on a new level.
In Kaspirovich almost never "frozen" scenes, the emotional static. All derived from the state of rest. Most often we see surreal Morph - digest "dreams", and broadcast stories states "between" through an auxiliary system of branded pervosimvolov. In her abstractions Kaspirovich recognizable figurative elements - fish, faces, flowers, birds, hands, tree roots - is almost never play an active role. They ask only point of twist tie of the corridors indicate that slowly filled with energy flows. Rod same topic works by the artist - just those complicated "in between": conversion states, mysterious inner space and perpetual transit.
An important feature of works of Natalia Kaspirovich - the need for dialogue. Not by chance from all works of the artist's eyes look upon the symbolic characters. The design is such that the paintings themselves are looking at the viewer, as if trying to catch a counter-opinion. In the calculation, rather, on a quiet dialogue emotions. The eyes of these semi-abstract figures are almost never touch the smile, but if they somehow miraculously radiant. Inner light is transmitted in a special way. Sometimes a flower - the symbol of purity, hope and rebirth. Sometimes the stream as a symbol of the movement. However, here the most wrong - is considered the composition of the artist as a puzzle, trying to dissect the story and analyze the individual elements. Before us is not a puzzle, but truly humanistic works in which the emotional message put above any sign. Such a pure translation of kindness and love from a man with a rare ability to write profound tale for adults.
I am glad that its "Mist," has turned out. How can get not one, but really the software exhibition. We can only envy those who are just in a better time for the first time meets with the work of Natalia Kaspirovich - talented artist, but also smart, strong and bright person.
Vladimir Bogdanov