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Сообщение от usynin2
He's really learned from Ary Bekaryan! Now, I called his brother, Alexander, and he proved it!
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Thank you, I am very pleased.
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In fact, handwriting is a good teacher passed anyway, and created the school. Now we have the Academy teaches Edward Vartanian, also a disciple of Ara Bekaryan and it's very interesting to trace how transformed the original message,. retaining some common features.
Well differ from the handwriting of Edward Kharazyan students, Pharaoh Mirzoyan, Edward Isabekyan.
Interestingly, the direct disciples of Saryan was not, perhaps only Gernrih Siravyan and that in recent years, still managed to find their own style. Effect Saryan just generally felt on the whole Armenian painting. But I think sometimes it's not "saryanizm," but rather some of the typical national traits, which were first clearly manifested at Sarian.
We have bright light, a lot of ultraviolet light. The main color in Armenia - the ocher-yellow and deep blue-purple shade, little green, it quickly fades. Tonal poorly defined.
And most importantly - we have
no horizon, always look into something touches because the Armenian artists feel bad area, it is difficult to work in Russia, with its boundless dalyami.
Armenian paintings, even a little realistic always planar and decorative. There is a clear tendency to place all in one, two plans.
I see the Armenian artist at any exhibition in any country from a distance, without even reading the name. It's like blood.
P.S. About Tigran Manakyane write in a personal, try to detail on every job.
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