Цитата:
Сообщение от Olga Ozolina
Alec Sander, thanks for a book about Old Hirst shark, and whether you have a reference to it online?
And I have yet to here any comment found.
http://www.liberty.ru/groups/Intelle...chuchelo-akuly
And agreed: the art - not a brand, and market mechanisms in the car or refrigerator market do not apply here.
Let's look at the price of Hirst's 10-20 years old. I think it would be cheaper when the boom passed. A Repin will rise in price only because it's true creativity and Hurst - a spectacular story, almost a theater. Hearst also can be replicated, and each stroke is unique Repin. And all that invented Hurst, long before he coined the Warhol, but all these inventions are covered once and for all "squares" of Malevich.
This is my personal opinion. But I think most critics would agree with me. |
Look at the "ozone" or "labyrinth" of the online stores. But I see you live in Moscow, so I think you can easily find it either in "The House on Arbat book" or a "Biblioglobus", or in a store "Moscow". Everyone has websites, each has the search.
From this book it becomes clear that the arts now apply the model of other markets, like it or not. Alas. But Hearst will be popular or not, read the book. In principle, it is clear what will happen. Everything is written clearly and lucidly. The whole art market is like a scalpel revealed. The author - a rare brain.
Цитата:
Сообщение от NATA NOVA
In the case of modern Western art.
The Russian market is very specific.
Not so easy.
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Surprisingly, I have to this book, too, believed that the Russian market is very specific. But after reading realized what its specificity: it simply does not exist. There are only a few people selling paintings, and some people buy them. But in the West, the market really is. And when he emerged among us, will operate the scheme described in this book. And almost all of the issues raised in this scheme, there is lit.