Цитата:
Сообщение от Artem
Lithograph . It you have a shiny . During this time, watercolor would completely burnt out , would be a pale matte .
And do not think that 13 - year-old ( on paper signature 1845 . ) student of the Kazan gymnasium copying architectural works Shtakenshnejdera would know they had a confident sign Shishkin , and in general to think seriously about the way the artist .
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The picture was displayed under glass . As I understood , on one hand the picture caption Shishkin , on the other hand - an inscription at the Peterhof 1845 and the initials AS In the biography Shishkin says that after graduating from the academy , he is in the Hermitage copied works of masters and mastered lithography . Ie a copy of the picture Shtakenshnejdera ( AS ) and the year is just to figure Shtakenshnejdera , rather than at the time of copying Shishkin . Well , I think so ...
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Цитата:
Сообщение от Allena
The label reads: A. Fedorov Supplier Russkago Museum of Emperor Alexander III in Petrograd Foundry 35 .
" Petrograd " - a 1914 - 1924. Alexander III , in this case - 1914 - 1917 . Need to see what lies at the Foundry , 35 in this period . Most likely , some sort of printing . Picture this - a reproduction .
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A reproduction can be rough under his fingers ? I really do not understand this . This collection is a relative , would he buy a reproduction ? I thought that label applies only to the mat in which the picture .