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Museums of modern art does not happen
As far as I know, the Museum of Contemporary Art is not the case, as well as the museums' ever-relevant newspaper clippings. This is important. At least to try to analyze the essence of the phrase - the actual art. On what basis to classify the actual art is not clear yet - too true. "News" has ceased to be an adjective, interjection was: oh! A sort of conceptualism-branding. One only calms - actual art known mostly in Russia, but as you know, "we are ahead of the rest" and you never know - this is now a modern art relevant running tape in facebook. But sometimes a pity spent on the actual art of time - because of its availability to us even more relevant.
Previously, it was simple: classic - the right, and contemporary - to the left ... And then suddenly - Actually! In the good old days are not dead yet contemporary, a smooth transition into the classical. Relevance apply only to the role of a postman in the theater arts, where art - a way of alienation of reality in terms of its representativeness. Were only relevant news or satisfaction of hunger.
Until the end of 70 years of the twentieth-century art has yet enough money line exclusion in style. The last harvest
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this field was conceptualism, minimalism has come to replace. Postmodern bouquet "of flowers" has nearly a half-century is, in essence, an attempt to synthetic dressing dries out the soil of art. During this time, we saw four decades of artists who by now become quite difficult to distinguish in polyphonic orchestra simulacra. Became die for the sake of what the artist is engaged in art - a form which, in the words of M., is composed of "creativity and memories." While the ingenuity of students' understanding neofitskom tryukachestva still remained - with the memory, as a continuation of the line of formal findings and feeling the bottom of the iceberg shaped space, we said goodbye. This is a picture of the world.
Even worse picture of the native landscape. Insisting on its path has led us to the Land of the Lost aesthetics. Descendants of the formalists, all broken, rolled up, but not in the asphalt, and the bald vacant lots and roadside one-sixth of the land. Now their descendants are trying to contemporary art in pace stokatto replace contemporary art, leaving the future of the dust.
Russia - the country's intentions. Not measure, do not measure, and an indication of the measure as an indication of a weather vane on the wind. Recall that the essence of the wind itself is secondary - the reason is rooted in the temperature difference between heating zones - it creates a breeze. Let's try to think about it, talking about contemporary art - what processes it intends to express?
Become a replica of the wind, the bas-relief of his ten-flux - the task facing contemporary art. The classic, standing as such, has carved the image of wind profiles in the rocks over the centuries. News - shaking a yo-yo from each blow, and sometimes even spins around its axis, affected the wing of a random bird.
News - this is what minutely lacking, and what is refused immediately after receiving it. Modern Art claimed the length of time in at least five - ten years. It was «present perfect continuous», a remote distance from the present understanding - thus Mandelstam "memory". Classic, in this framework, was «present perfect simple». Thus, contemporary art through the prism of English grammar, appears incomplete action «present continuous», which is still ongoing, as are fried eggs, but can also burn.
Contemporary art is your time today, right now, for a minute now. It seeks not to miss the change of the rotation of an electron in a pulse of You Tube, different omnivorous, reluctance to generalize, is counting on fans of the news. In the information it is action, whose form is not so important, because immediately after it assumed the following "urgent action".
Artists looking for Zeitgeist, that is the zeitgeist that determines the basis of their creativity. As in literature, rhythm, texture of writing, the pace and composition are very important tools in the alienation of the image with respect to the prototype of reality. The artist certainly wanted the recognition by the public, but not enough to be understood "every cook." There is no socialist realist view of creators and those who saw art in addition to "rough language poster" is also most important task a catharsis-sverhprodukta. Previously, it was a club favorite and want to be elected to the club. People wanted to enjoy the game, a virtuoso violinist, but not bell-ringer at the actual fire.
One hundred years ago, Reid-made Marcel Duchamp said new way of expressing time, an adequate theory of relativity. Change the position of the text and context has changed a formal point. Narrative and decorative components have been minimized to the limit - they replaced the item. Nevertheless, it's message was not "on the urinal, a blank verse" of Being and dialectic transition low to high.
During these hundred years Conceptualism and Reid-made turned into a salon art, in a common place. Art, like him and predicted death or entirely turned into a classical phenomenon. Art became the promotion of art, branding the artist and his works. Entered the fray izoscherennye methods of socio-critical pugalkok who have motor move through fear and a sensation as a television news. Shock of the form is no longer valid, the public is ready for anything, works just frightening the latest news or important high price - is also news, mesmerizing, like a boa constrictor rabbit.
But, as it is said: "God forbid live up to the day when all will be as bad as the newspapers about it».
George Pusenkoff