Цитата:
Сообщение от IV
I was close to panic
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Not to say that a visit to the Fair relieved - was just before closing, rushed at a gallop, whereas we ought to spend her whole day
"Well that now ...
"Dominant" Many thanks for the warm welcome! The best stand, no doubt. So it was pleasant to find oneself in an atmosphere of genuine friendliness, created by his beautiful mistresses. Felt right at home, did not want to leave ... Thank you!
Among the "dominant" artists wanting to stand apart Gennady Troshkova. We are talking about its abstract graph. For me it was a real discovery. Skill Troshkova undeniable, as well as its high artistic culture. Looking at his exquisite things, once again convinced of how important it is to see works in person, photos do not convey a hundredth part of their charm.
http://forum.artinvestment.ru/showthread.php?t=111381
Another discovery (for me, of course)) - Victor Dynnikov, situated opposite to the "dominant" Gallery Expo-88. Here - his gouaches. An entire folder of landscapes and still life, rich with thick, almost palpable color. First impression - what a wonderful mixture of early Saryan and Vera Ermolaeva <!--~ 9 "-" but only with such a deep tragic sound, that just creeps.
And once again, to feel it could be only through personal sorikosnovenii - when I watched his stuff on the Internet, ashamed to say they seemed naibanalneyshimi and pretentious. And it all turned out to be the opposite.
Now, do not resist the order to express nairespektneyshy Respect, who bought several of his paintings restaurateur Arkady Novikov. This is an absolute hit, and that is especially nice, as it turned out, Novikov saw Dynnikov completely independently without any assistance from consultants and galereyschikov. This is perhaps one of the most joyful and hopeful news lately
http://forum.artinvestment.ru/showthread.php?t=66361
http://www.expo-88.ru/painters/4/
Цитата:
Сообщение от Vladimir
There was a lot of cute and very affordable prints, but this topic requires a cautious attitude.
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There really is something to think about. Is not a luxury, pray tell, an entire folder of original etchings Masyutin? Even in the meeting Ettinger at an exhibition in the Pushkin Museum did not have such a number and the quality of his things. And here, in fact, a whole collection of incredible acute-grotesque graphic scenes of ridiculous price 6000 rub. a list (yes even with the uncircumcised baggy fields and perfect preservation). What does it mean?
