Falk Robert Rafailovich (1886, Moscow - 1958, Moscow)
Russian Soviet painter.
In 1903 he graduated from Petropavlovsk real school, in 1904 - 1905 studied at the School of KF Juon and IO Dudin, as well as in a private studio II Mashkov.
From 1905 to 1912 he studied at MUZHVZ in AE Arkhipova, AM Vasnetsov, LO Pasternak, VA Serov and KA Korovin.
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since 1910 - a regular participant of exhibitions "The Jack of Diamonds." He worked in the All College of Fine Arts (1918 - 1921), was a professor and dean of the faculty of the picturesque VKhUTEMAS-VHUTEINa (1918 - 1928). In 1920 Falk's work is constantly exhibited at international exhibitions of Soviet art in Berlin, Venice, Paris, Vienna, Stockholm, Tokyo, New York
and other cities.
In 1925 - 1928's designed productions of the Moscow State Jewish Theater (GOSET). Decorations Falk, TX, according to Osip Mandelstam, "the inner plastic ghetto" became an expression of attitude GOSET 20-ies.
In 1928 R. Falk went to Paris, where he lived for nearly a decade. At the end of 1930 he traveled to Central Asia, traveled to Bukhara, Samarkand, Tashkent and Khiva.
Years of military evacuation (1941-43) - in Bashkortostan, and Central Asia (Samarkand). .... Personal exhibition of the artist held in Moscow (1924, 1927, 1958).
His works are in the Tretyakov Gallery, the timing, the State Art Museum of Armenia in Karakalpak GMI them. IV Savitsky, and other leading museums around the world.
Compilation of information (in the internet) about the Falke
http://pv-gallery.ru/artist.php?i=42
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VI Ufimtsev was born in 1899 in a. Barneevka in the southern Urals. After graduating in 1917, Omsk Commercial College comes to learn from the course of drawing and painting, graduating them in 1919 Since that time the active creative activity VI Ufimtseva. At the beginning of a creative way influenced Burliuk, who at that time was in Omsk, with creative presentations Ufimtsev keen futurism and with like-minded form the group "Chervonnaya troika" (by analogy with the capital "Jack of Diamonds"). In 1920, working in the club of the Red Army and participated in trips to agitparohode "111 International", which helps him to develop his artistic position. Fascination with futurism and other latest trends in art, yet does not destroy the realistic basis of his artistic vision.
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In 1921 starts to participate in exhibitions. Since 1923 the artist to travel to Central Asia, the Far East, Caucasus, Siberia, which is crucial to his creative development. He tries his hand at various techniques and genres: from graphics and posters to large-scale paintings, works as an artist in various theaters of Siberia and Uzbekistan. In 1934 he finally moved to Tashkent, where he runs his future creative life. By this time Ufimtsev already an established artist. In his autobiography, in 1935 he wrote: "What I have found the remains after all the quests? A lot. Impressionism taught color. Futurism - quickness and resourcefulness. Cubism and constructivism provided the stability, simplicity, the strength of things, taught surface treatment. Realism - vigor and health. But work is not finished. Study continues. My professors - the life and the viewer. " Since the mid 30-ies. Ufimtsev conducts extensive work in organizing exhibitions and discussions, organize creative teams with trips to New Five-Year Plan, has been actively involved in the creation of the Union of Artists of Uzbekistan. In 1940 he was elected its chairman in 1944, he was awarded the title of national artist UzSSR. Ufimtsev first painting of Uzbekistan has mastered the genre of historical and revolutionary and has achieved in this area desired emotional effectiveness of the active artistic language. In 50-ies. artist often works in the genre of still life and landscape, after traveling abroad 1959-1961,. creates a series of gouaches "Afghan Diary", "Tunisia", "On the roads of India." Ufimtsev constant participant of exhibitions of artists East. During 1959 - 1961 years. held in Tashkent on his three solo exhibitions. In 1964, shortly before his death, the artist donated to the city Angren their work, which formed the basis for exposure gallery, named in his honor. On the eve of 1965 was not Ufimtseva.