Joining the right to inheritance, the graph started up a social life, as evidenced by numerous publications in the tabloid press mid-90's: "Smorchevsky creates Institute for Noble Ladies," "Smorchevsky revealed the secret of death of the royal family"; "Smorchevsky called kittens names of the candidates for president of Russia "" Smorchevsky trying to give Yeltsin a goat "... But then our hero as much as 2-year drops out of the gossip columns. To return to the chronicle of the judiciary.
- My process - interesting for Moscow case: when something about me write a thesis! - Triumphs Smorchevsky among numerous folders of documents: legal decisions, bureaucratic correspondence, acts of the various inspections. And immediately goes to the heart of what is happening.
Master-class Moscow quarreler
- My story overshadow the story of Bender and children of Lieutenant Schmidt - recognized Smorchevsky. - In case involved virtually the entire leadership of the city. I want to instill in Russia as in America, the culture of human rights protection in the courts, not in the offices of government officials. I have formed a great experience on how to convince the authorities and the court was right. With officials should not fight with them need to collaborate! You have some problem? Write! Any answer is positive - even negative. You should thank the officials who write you a failure or unsubscribe. I answered in the negative, I appealed to a higher authority, a statement of disagreement, asking for clarification. Superior bureau can unsubscribe, and can respond on the merits. If in fact - well, if not - you go even higher: the city council, the prefecture, the government, the mayor. The main thing - get answers from them: this will be enough to go to court. The worst thing is, when an officer does not respond. But in this case, you can write even more. And always keep copies of letters, envelopes, all the papers ...
Smorchevsky demonstrates printing a file from the database of government staff in Moscow, the existence of which ordinary citizens and have no idea. List the three sheets of nearly 100 points reflects the history and path of the appeals and complaints Smorchevskogo to classrooms officials from September 2003 to June 2004. Huge office machinery in action: it was launched in 1999, when the count began to struggle at first with Moskomimuschestvom, and then with the tenant - the firm "Rasvero" for the basement of the house 22 to Chef street. By 2003, to the basement were added two rooms of the second floor, located directly above the apartment Smorchevskogo. As a result of grueling hearings in September 2003 Presnensky court issued a temporary ban on any transactions with the two premises, including the prolongation of the lease, and deferred action.
On the eve of mayoral elections in 2003 Smorchevsky campaigned for the Designation of the apartment and arrested the status of the premises of the building with a separate address - Cook, 22, p. 1a. According to the graph itself, a separate address should contribute to resolving litigation on the basement. Motive "for the officials," was somewhat different - in a Moscow museum of contemporary American art. The first victory was achieved thanks to the letter Smorchevskogo Moscow's mayor on behalf of the initiative group of voters at home 22 to Chef street ": the resolution" a request to meet the "elected" the letter went to the Moscow authorities.
The second victory occurred in the architectural planning of the district administration of the Arbat, "which agreed with the arguments of the graph and has issued a conclusion that the apartment Smorchevskogo located in a separate house at Cook, 22, p. 1a. Simultaneously, the graph begins the process of registering the museum puts on the record and receives a safe conduct for 70 paintings. One document indicates the value of the collection - about $ 1 5 million
However, the apex of creativity Smorchevskogo was sent to the chain of command in June 2004, the draft regulation on the transfer of the Moscow government in its "gratuitous perpetual use" of premises area of 128 square meters. meters at Cook, 22, p. 1a. The uniqueness of this instrument is that it is decorated with the signature of important officials of the town hall. Total Smorchevsky collected seven autographs before the orders were just two - Chief of Staff of the Moscow government of Viktor Korobchenko and the mayor, Yuri Luzhkov. Tripped over a document on the prefecture of the Central District: looks like it was the only instance where the document at least read before approving ...
Smorchevsky - a puppet in the hands of bureaucrats?
For the past 2 months metropolitan officials to correspond with each other on the theme that "the house at ul. Cook, 22, p. 1a did not exist, does not exist and can not exist" or that "the museum's collection is not appreciated." Meanwhile, Earl Smorchevsky preparing for the next court hearing on the basement, on September 9, and sincerely believes in his victory.
Starting from the bottom, Smorchevsky passed all the steps of city administrative machine. At each stage he is a preacher, "proselytize" people who do not make decisions, but are preparing their acceptance - the secretaries offices, minor officials of different machines, departments and committees. Bored at work clerks were heard stories Smorchevskogo in which the known facts of world history boldly intertwined in the branches of his family tree. Someone really penetrated sympathy, someone helped just to get rid of the annoying graph. For example, faxes in the reception room of Yuri Luzhkov, sent Smorchevsky of the most exotic places, like the parsing of an accident the traffic police or the human rights organization, Internews. Knowledge of the bureaucratic machine and the psychology of the "little man" in the public service Smorchevsky masterfully converted in court cases and administrative decisions. In this case, having no regular source of income, he sought a bribe without the extra expense. According to government official in Moscow, Smorchevskogo methods are unique, since most of the lobbyists, tottering on the offices Municipality, the government, city council, are usually willing to pay for the signatures of officials.
"The problem Smorchevskogo against the background of those issues that address the high officials of the city - a mere trifle, - says another anonymous official from the apparatus of the Moscow City Duma. - Every day brings secretaries to sign heads of departments, deputy mayor and the mayor himself hundreds of papers." Understand each question for each paper is physically impossible, so the unit or secretariat sorts documents by priority. There is also a priority, where the sign without reading.
Presnensky district court judge declined to comment on the case Smorchevskogo, but stressed that the city courts are literally inundated with similar actions (to invalidate the lease of premises in residential buildings to be concluded by the Department of city property and business firms). As for the results of our own investigations, they suggest that Michael Smorchevsky quietly to himself was a puppet in a game of some city officials.
According to the canceled project orders living area was to be transferred Smorchevskomu in "gratuitous perpetuity" under the subsequent probate of the city's Museum of Modern American Art and its entire collection. The concept of "city" itself is quite vague, but the issue price, even excluding the cost of collection, in whose existence few believe, considerable. Area (128 square meters. Meters), which ordered the government had to get Smorchevskogo museum on the site
www.realprice.ru valued at $ 430,000, while the average price of 1 square. meter of housing in the Central District is more than $ 2600. Well, the house with a separate address in central Moscow, about which so busy Smorchevsky are estimated not hundreds of thousands and millions of dollars ... Finally, in conversations graph constantly refers to some "patrons" in the Moscow government.
Point in this story has not yet delivered, "Version" will monitor developments.
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And here's another ..
http://www.sovetnikprezidenta.ru/68/1_obsestvo.html
Posted 1 minute
And here's another ..
NAIVE Impressionist MISHA
... On programmke concert Mischa Smorchevsky pen painted a portrait of Alfred Schnittke and presented it to the composer. He said: "The time will come when you become world famous as I am ..." It was then 1986. These words of the genius of Russian music have become prophetic. Ogonyok magazine in 1991 called Smorchevskogo: Peredvizhniki era of perestroika. "
Russian art of the beginning of the XXI century. acquired in the person of Misha Smorchevskogo new and unique, artistic direction: naive portrait aesthetic impressionism. He creates portraits of world history and culture. Portraits Smorchevskogo fabulous technical performance, but how many of them joyous energy of life and existence.
Portraits of him, as if cut diamonds - into a single refracted beam - bright, cheerful, never seen before art, penetrate into our consciousness against our will. They fascinate us truthfulness of the object of painting and mystical ability to meet with some people of past times.
There is no deception in personnel, we can easily learn: Queen Elizabeth II, her graceful bearing and noble restraint facial expression. She's like Mother Nature herself, the goddess of goodness and sanity. And how good it like a man, a woman, though like everyone else, but clearly over us.
Portrait of Russian Emperor Alexander II, the artist wrote in a sign of reconciliation in the historical dispute sort Smorchevskih with the Romanovs. Mike King to forgive - but do not forget that he sent to penal servitude in Siberia, the fortress of his great-grandfather Victor Smorchevskogo in 1864 for a period of ten years!
Divinely beautiful and charming Princess Catherine strong Prokofyevna Mescherskaya. How many in her self and life. It is not chump in a golden cage, she is a real beautiful woman.
One of the strongest portraits Smorchevskogo is the portrait of Crown Prince Albert Edward of Wales - the future King of Great Britain Edward VII. Prince presented a normal living person sitting on the couch. He smokes, his view is not easy, but at the same time he affable and kind.
Great interest is the portrait of the Queen of England - Alexandra. She is not posing an artist. Smorchevsky, bypassing the 100 years, met eyes with her, she slightly turned her head in amazement asks who you are, Mr. artist?
Heir to the Russian throne, Grand Duke Nikolai keeps his right hand at the table. What is it? Slight weakness, although we see the beautiful face of a mature young man, or ignorance of his terminal illness?
What a sadness, we find that in the eyes of the dog, which strokes the artist's grandmother as a lady and a dog resemble each other!
A great place artist gives in his works of culture and art. Composers, writers, artists began for him long ago relatives. Both portraits of world famous composers: Pyotr Tchaikovsky, Sergei Rachmaninoff - was the opening in the Russian art.
Michael Smorchevsky born in Moscow on April 27, 1959 In the two years of age lost his father and mother. The boy was brought up in an orphanage. Reliance was a grandmother who takes it home for the weekend. His future has changed the desire to paint.
Who does not remember the long queues at the Old Arbat street in Moscow to a single artist who painted portraits in gouache: red, yellow, blue - it was the artist Misha Smorchevsky. He took for his labor cost 50 kopecks.
But the glorified him for the whole world one painting titled "Living Water perestroika" and sign "for viewing - 5 cents". The painting was a picture of Gorbachev. Misha tried for what he has dared to speak out critically against the leader of the Soviet Communists. Forced emigration to the United States, studying at the University, to return to Russia, falling in 1995, is kidnapped by armed bandits, the death of her grandmother, endless litigation over the family hearth was interrupted for many years his work.
Misha did not take a brush in his hands 12 years. However, this did not break the real master. Years spent to build the first in the history of Moscow and Russian Museum of American Art were decisive for him.
The artist believed in themselves and once again began to write.
Jacob PARKENSON,
Ph.D, professor, deputy director of the Museum
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