[Евгений]

Painter, pedagog.Zasluzhenny UzSSR of Arts (1953). UzSSR National Artist (1964). Member of the Union of Artists SSSR.Zinaida M. Kovalevskaya major artist, teacher and master of genre, was born in 1902 in g.Volske.Ee father interested in art and ethnography. Working in the schools of Kazan, he gave lectures to students at home iskusstvu.V Kovalevsky was often an artist P. Benkov, well-known researcher of art of Central Asia prof. BP Däniken, art PE Kornilov, historian and bibliographer P. Dulsky, etc. Almost all of them have been in Central Asia, studied its history, art and etnografiyu.V 1927 Kovalevskaya graduated from the Kazan Art School where her teachers were NI Feshin and PP Benkov, who presided over the growth of its professional skills to the rest of his life.

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Thesis Kowalewski "soap factory was acquired by the State Museum of Tatarstan ASSR.Esche in 1926 by artist shall AHRR, leaves for a trip to the creative collective of Tartary, to the Urals, Siberia, Krasnoyarsk, and paints "Kindergarten", "Melting of Gold," Tatarka, laundress, "" Pioneer, "" Threshing on the farm. " These works professionally not yet perfect, but they say the active interest of the artist to life. This painting exhibited at AHRR in Kazan and Moscow, and also became the property of the State Museum of Tatarstan ASSR.Letom 1930 Kovalevskaya was invited to Samarkand to work as a painter of the Department of Ethnography of the Uzbek State Scientific-Research Institute (UzGNII). Leaving on business trips the Department of Ethnography and Artel Embroidery "work of women", Kovalevskaya studied Uzbek national ornament, performs sketches of embroidery. from her trips she brings a lot of watercolor sketches and drawings of women and children. craftsmen of the old Labor city tells her story picture "craftsman" (1932). Painting depicts a bygone primitive cottage industry and hard work remeslennnka unwinding kokony.Hudozhnitsa saw the entrance to the Shahi Zinda necropolis foolishness of bigots and klikushi.Ona opposes religious dope in "The Whirling Dervishes are deceiving the people" (1935). In an effort to capture new in the life of the Uzbek people, she paints "The youth brigade" - the enthusiasm of young people competing and "Oktyabrina." The New Face of the Uzbek woman, she reveals in the pictures "in bed" (1937), "Winner of Bike Ride" (1939) and others . During the Great Patriotic War, Kovalevskaya, together with all artists, all the force of his talent served as a common cause of defeating the enemy. Already in 1941 it created a significant work, "Young znachkisty" in 1942 - the picture "Return to the victory." Patriotism and humanism of the Uzbek people the artist reflected in the film "In the new family" by showing concern for the evacuated children. The last two paintings were exhibited at the All-Union traveling exhibition "The Patriotic War in Moscow, (dekabr1942 g). Productive work in the war years, the artist paints, suggested by the very zhiznyu.Tak born painting" Children visiting the wounded "(1943). In spacious house on hospital beds lie and sit wounded. In the wide-open door with light spring entered guys brought gifts, and his genuine care nursery lasku.Naibolshim surrounded by the most seriously ill. Here, composite tsentr.Otsyuda artist leads the viewer into the painting to the recovering wounded, came out for a stroll to the sun, to zhizni.Za during World War II pictorial language Kovalevskaya became richer. Expand the subject of her works. In 1943 she successfully defended her thesis work externally on the scenic artist faculty of the Leningrad Art Institute. Ilya Repin. Multifaceted and fruitful work of Kovalevskaya in the postwar years. Art of Uzbek embroidery Kovalevskaya dedicates one of the best post-war paintings of Master of Folk Art "(1947). He served as a prototype for a long time acquaintances and loved it from the embroiderer Artel Trud women." On the boards of the vast courtyard Artel old masters discuss the design and quality embroidery Suzane, the performance of their young pupils. Girls with attention listen live comments highest embroiderers, wiser by experience and knowledge. So in a creative collaboration creates a new work of folk art. The entire group of tightly linked with a finely written scenic surroundings. The ruins of the mosque Ekbi Khanum, the closing track, seem to underline the continuity of the Soviet arts and community art with the artistic traditions of the past. In this picture the artist overcame etude incompleteness, frequently encountered in her previous rabotah.Kartina "Master of Folk Art has received well-deserved recognition of the Soviet and foreign audience (in 1948 she exhibited at the" Soviet Woman in Art "in Paris). Leaving a suburban farms, watching the life and work of farmers, the artist creates works that show the transfigured face of the collective farm village and its workers. These are the "Collection of tomatoes," "Bonuses cotton pickers" (1949), "The Congress noble cotton pickers" (1951). In 1951, Kovalevskaya completes the picture "The first elections to the Supreme Council in Samarkand." It conveys the triumph of the artist's first free elections on Dec. 12, 1937 g.Vmeste with all the people are going to elect their supreme authority and an elderly woman, an Uzbek, and a girl and an old man, hoary with age . In vivid and richly painted the artist conveys the solemnity and importance sobytiya.Vazhnuyu side pictorial talent 3.M.Kovalevskoy is portret.Krupneyshy Soviet painter B. Johanson wrote once: "The portrait is rightly viewed as a vertex of art. The gift of a portrait - this is a special dar.Mozhno own immaculately pattern and form, have coloristic talent, and at the same time ... do not be portretistom.Dlya to be a painter-portraitist, but all the necessary professional qualities you need to have another - more important, the specific ability feel the inner world of man. "This gift, and these qualities have Kovalevskaya. This is evidenced by the performance of portraits of artists PP Benkov and M. V.Teplova.Osobenno interesting portrait of the oldest artist MV Teplova, which soulfully revealed the inner world of an artist-anomalous and still-lifes. Her still lifes - it is life itself, nature. Sometimes, still life and landscape are inextricably fused. This is her still life with fruit in okna.Hudozhniki Samarkand, and with them, and Kovalevskaya, frequent Urgut - the most beautiful place in the area. The result of these visits were the landscape "Urgut" (1957) and genre painting "The ditch" (1957). In "Urgut" poetically convey the beauty in the evening in the mountains. Last rays of the setting sun gilded the mountain, at the foot of which dissolves in the twilight collective farm village. Above the village is spread gray smoke from the fires. By the mountain rivulet kids were driven to the watering ovets.Shiroky swab is replaced here fine painting, transmitting the enchanting beauty of mountain scenery. The story of genre painting "The ditch is simple and pravdiv.Devushki stopped to rest at the arik. One of the "they entered the ditch and refreshed vodoy.S bicycle jumped off and caught the boy teaches girl Field tsvetok.Shutki girlfriends increase her embarrassment. In this lyrical scenes artist talks about waking up the first feeling of love, of the profound changes that have occurred in the spiritual life of the Uzbek youth. This change corresponds to a poetic landscape transfigured sela.Liricheskoe mood is achieved and the expressiveness of a warm color, and emotional life zhivopisi.Tvorcheskoy 3. Kovalevsky and was accompanied by her teacher deyatelnost.Za twenty years of pedagogical work she has contributed greatly to the preparation of Young hudozhnikov.S1932po1949 Kovalevskaya was taught painting at the Art uchilische.Pervye Samarkand, Uzbek artists, painters - Students PP Benkov and 3. M. Kowalewski. In 1953, in Tashkent in connection with the 50-th birthday and 25 anniversary of creative activity Kowalewski took her personal love life-affirming art vystavka.Lyudi Kovalevskoy.Uchenikami Kowalewski are folk artists of Uzbekistan Abdullaev.A.A, Abdullaev.L.A.

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Pavel Petrovich Benkov was born in Kazan on December 8 (December 20 New Style), 1879. He graduated from the St. Petersburg Academy of Arts, where he studied from 1901 to 1906. Continued his education in Paris at the Julian Academy in 1906.
C in 1909 and 1929, PP Benkov taught painting at art schools in Kazan. In the years 1928-29 Benkov traveled to Central Asia, which literally shook its bright colors and all solvent sunlight, which is literally bursting with warmth flowed on the streets of Bukhara, Samarkand and Khiva.

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The artist decided to radically change their fate and move to Samarkand. Agree that a commonsense point of view, the act is ambiguous - to change the established way of life, to leave a prestigious job, students, the opportunity to obtain favorable orders. The artist believed that Central Asia will allow them to truly realize himself as an artist, will fully disclose the possibility of plein air painting.

In Samarkand, skill Benkov glittered with new faces, his paintings were filled with sunlight, they flowed water ditches and fluttering leaves of acacia trees, zaklubilas dust haze south streets and barbecues. And most importantly - he became acquainted with the ancient original culture and new people who genuinely loved and was happy to write about. Since 1930, he began teaching painting Benkov in Samarkand art school. Many famous artists of Uzbekistan it was his call my teacher and mentor, but Republican Art College in Tashkent, now bears his name. In 1939 Pavel Petrovich ria was awarded the title of Honored Artist of Uzbekistan.

To better understand the new life for him and see all the interesting and unusual, Benkov has traveled to Uzbekistan, visited the ruins of old cities and small villages. His work he always tries to write in the air. Large multi-figure compositions and portraits, written by him during this period, literally permeated with light. But with love, he wrote a small Uzbek courtyards and gardens, where a small pond so nice to spend time in the midday heat. These artist's work and today enjoy an extraordinary popularity.

That Samarkand period of creativity did Benkov acknowledged master. His paintings, written at a time can now be seen in museums and galleries in many countries, several of his works are represented in the Tretyakov Gallery.

1.Portret Benkov PP
2 9.Raboty artist Benkov PP