[Art-lover]

fabosh, of your kind comments (which of the songs in the garden - in garden) conclude that it was time to return to our ingardenam. Sweeps. Next Arrow ingardenom will Arnheim.

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Сообщение от fabosch; 1531561"

the links names to the fate of the world, of course, it is so. But at the smaller things (not the fate of the world) does not always work. But wait a historical inevitability will make his case, life is not always enough.

Any person eh an active subject of history, such resignation? "And it is in any case, the reinterpretation of terms can refresh our perception of archives and" remakes "of art has in this incarnation. In view of the effect of "reasonable eye: you do not know, do not you see, and vice versa.
Because we're busy, and the erection of any schemes: in order of their upbringing, "the Judgement of Taste." The main thing in this fascinating lessons to keep in mind "truism"

Сообщение от fabosch; 1532411"

real art, of course, does not fit into the scheme.

- time to burn these support structures.

Сообщение от fabosch

Above all, as you know, to win the friendship
Including between abstractionist

In the experience of discussions in the forum, when a draw, then hit a foul shot ... but the judges consistently pass the soap. That's the art requires sacrifice.

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Ladies and gentlemen, in addition to the shape and color, there are dynamics, expression, the internal stresses. Draw another scale on the slide rule. )
Word Rudolf Arnheim, the famous American aesthetics and the psychology of art. Below - the final part of his work "Art and Visual Perception" (1954) concerning the abstract and its prospects.
The fact of publication, as they say, does not mean agreement with the position of the author.
Color and selection - on my conscience.

If art meant only play things in nature and nothing else, it could hardly understand the honorary role, which it is given at any stage of development of society. High score of art is determined by the fact that it helps people understand the world and himself, and shows him that he understood and believed that true. Everything in this world is unique, an individual can not be two identical things.

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However, all is comprehended by human reason, and apprehended only because every thing is made up of moments, are not unique to a particular object, and are common to many or even all things. In science, general knowledge arises when all existing phenomena are reduced to a single law. This is also true for art. Mature artwork can be subordinate to all parts of the rule of law structure. But this does not happen distortion of existing things through monotonous expression. On the contrary, creating an opportunity to compare them, we thereby reveal their differences. Marriage, once said: "If you put the lemon next to the orange, then they cease to be a lemon and orange, but they are fruits. This law is followed and mathematics. So do we. " Marriage has forgotten that the strength of such a correlation - in its duality. This correlation indicates the similarity of things in nature and thus reveal their identity. Portraying all the objects in a common "style", the artist creates a whole in which it is clear and well defined place and function of each.
Each element of the work of art is essential in revealing a common theme that portrays the nature of the world. In this sense, we find the symbolism, even in those works that seem at first glance a fairly neutral image objects. We need only glance at a simple outline of the two still-lifes, schematically depicted in the images below to see two different approaches to reality. The painting by Cezanne (Fig. 1) dominated by a stable structure of verticals and horizontals in the background of the table and the axes of bottles and glasses. This structural framework so dominates the picture, even subordinates fold towels. A simple procedure is passed the vertical symmetry of each bottle and glass. Even inorganic matter - in the towering outline, emphasizing the roundness and softness of the items - feel abundance. Compare this image of a prosperous peace with the catastrophic mess in the work of Picasso (Fig. 2). Stability in this picture there is only partly true. Does not feel any horizontal or vertical orientation. The room is in an inclined position. Angles table, which is inverted, or tilted hidden or distorted. None of the legs of the table is not shown in parallel to each other. Bottle in danger of capsize: lolling on the parts of the body of a bird, that and look, fall off the table. Outlines of objects hard, sharp, lifeless body image even when the birds.
Since the main perceptual model contains the theme works, we should not be surprising that the art continues to exist even if it does not depict natural objects.

"Abstract" art in its own carry out the functions inherent in art as a whole. It is not better than realistic art, which also does not hide and reveal the semantic structure of the forces. But the "abstract" art, and no worse than the fine in the sense that it also expresses a certain identity. Abstract art - is not "pure form", because even simple partial line is visually perceived value and therefore symbolic. It does not offer to our attention intellectual abstraction, because there is nothing more concrete than the color, shape and movement. "Abstract" art is not limited to man's inner life or unconscious, because for the arts division at the outer and inner world, the conscious and the unconscious is artificial. Human consciousness and the brain receives, shape and interpret the image of the external world with its conscious and unconscious forces, and the unconscious, without reflection of sensible things could never get into our life experience. There is no way a single image without regard to the other. However, the nature of internal and external world can be reduced to the play of forces. And this kind of "musical" approach was used by artists, which are erroneously called abstract.

We do not know what the future will look like art. But we know that the "abstract" is not the culmination of art. Abstract art style will never be.

There is only one valid way of perceiving the world - a kind of sacred mountains, which from different points of view represented in different ways, but at the same time always remains the same .
.....
Impressive-is the crown of all perceptual categories, each of which contributes to the appearance of expression by visually perceived stress. In his study, and we celebrated. We started our investigation with the statement that any visual model is dynamic. This is the most elementary property actually turns out to be the most significant attribute of the artwork, as if the sculpture or painting is not expressed to the dynamics of stress, they could not reliably reflect our lives. Whereas only a limited range of vision, we can say that the expression is based on only one strain. She points to the universality of the forces, acquired as a result of life experiences in the perception of concrete images: tension and compression, consistency and inconsistency, the rise and fall, the approach and removal. When these dynamic forces are interpreted by us as symbols, forming a human destiny, then the expression suggests an even deeper significance.

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