Цитата:
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Сообщение от Vivien; 1532191"
I liked the statement by Gleb Shestakov from the introductory article:
"In the west of the southern Russian artists know better than in Russia. Vicomtesse Bridgeman, owner of one of the largest galleries of artistic images, enthusiastically told me how she was going chaise from Kiev to Odessa to see" a collection that represents the last unknown Page European Impressionism. "
In Moscow, there is no such enthusiasm. As always here to look at the province down, arms akimbo: "A lot of sun, a little thought," - has made me the essence of the problem of an omniscient Moscow kuratorsha. I do not agree with it. Just the sun we have here is not enough ".
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In what century, no one except Mr. Shestakov (what kind of bird?) Unknown
Mme Bridgman "on the chaise was traveling from Kiev to Odessa? Reason to see "a collection that represents the last unknown pages of European impressionism." Delirium.
Цитата:
Сообщение от Vivien
In the catalog of the works and biographies of such terms as TYuRHa .....
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And then comes list of little-known artists, accompanied by an illustration kartonochek 15h20.Na public auction, except the shtetl, sounded like the names of the teachers in their spare time to paint "at home"? They were replaced by others, such as provincials, without even leaving students.
Province, remote provinces, even by the standards of Ukraine. What to say in comparison with Russia!
Rights that Moscow kuratorsha, a thousand times right. All these Sichik-hruschiki these bombast and numbering the waves small-town nonkomformizma ridiculous and nobody interesny.Provintsiya, remote province yesterday and today and tomorrow. Do you not see.