[Art-lover]

In the interval between the latest reports from redbor Amateur and posted his own, but it's first "crooked" is displayed, and then completely evaporated - probably reeling servers offline.
Trying to duplicate.

Thank you all for your help.
Here is what emerges in the end.
Guido Reni reiterated on many occasions and found they varied image of the suffering Christ with a typical turn of the head and heavenward gaze. This way, performing the strong impression on his contemporaries Reni, immediately began copied and used in the works imitators. The popularity of the plot led to its rapid migration across Europe, helped by the numerous prints, starting from a different versions of these paintings. In particular, c 18 th century story, and grafted to the Russian icon-painting tradition (see kartinku1)

Obviously, some of the later copyists (18-19 cc.) Plot were familiar with the different "plagued" Ecce homo, and resorted to the contamination of the individual parts from various paintings and print versions. This could be expressed and that in search of "high expression" copyist and imitators Iiisusa changing facial features, while maintaining other attributes of the original source.
As a result, we have mnozhetvo hybrid lines, to understand the pedigree of which are very difficult.

Competition in the field of printed materials has led in general to the victory of Dresden and the "Roman" options paintings Reni. In some of the prints there is interaction of these main lines.
I attach (picture 2 below) a few typical print versions.

The first engraving of this series is a part was published in 1877 a collection of prints "Gems of the Dresden Gallery" and is probably one of the best (available online) reproductions of popular paintings from the collection of the Dresden Gallery. This picture is presented in Noether only in the form of cards and prints. Original, as noted by Amateur, has not survived. The next image (and its source is not specified) is the same picture in color. Another image - old postcards - also gives a good representation of the original. The next three cards - this is a typical "postcard" products.
The last image - a French anonymous heliogravire - sends us have another version of the "Christ in a crown of thorns" Renee, presented in Rome and in the Escorial (Spain).
Images of these and a number of papers relevant to the topic - in the next release.