Цитата:
Сообщение от Cyril Syzransky
I'll answer that.
In the period of socialist realism, Transcarpathian artists, as well as the Siberian, Uzbek, Ural, Crimean, Tatar, etc. on the map, lived and worked in one country. I think that collectors are not limited to social realism in their preference for geographical considerations. They look at the picture. The main thing is that the painting was good, and if the name will be in regalia, in general chudnenko.
Will this answer? Well, if there in the painting crew lumberjacks from the village of Upper Simerki will return as a work in gutsulsky outfits with Trembita yes, can it stop the buyer.
And if some workers of the roadster Chinidieva, or border guards in the dismissal of the dances in the Solomon-and why not?
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Well, those were good times, can be as the nostalgia for the lost stagnation and descend. But in a modern interior in an apartment or a mansion, I seen a similar painting too dim, somehow does not look very happy, they look more familiar in the provincial museums. Although I once again return to the personal predilections, excuse me for it.
And remembered the artist, also from Mukachevo. Whom Transcarpathian artists have tried every effort to forget. Even students at the school about him not telling. Oh, he was very disliked by them. While the glory of Transcarpathian made very large. The name of the artist Mihai Munkácsy.
And I congratulate you with a good knowledge of the geography of the Transcarpathian region.
Unfortunately, such knowledge of Russia can not boast.