Цитата:
For fans of big names will be called yet, Hugo van der Hus, Bartel Bruijn HW, Gillis Mostaert, Jan Masseysa - with the sole proviso that their authorship is not determined absolutely: the most frequently featured the phrase "circle" or "workshop". If you understand the technology and the Netherlands and German painting of the time the reservation is not so significant. Just remember that many authors did remain nameless and known to us under the symbols like "master of the Virgin among virgins" or "master Lamentation of Christ's Body." And if not - "the Upper unknown artist." From such language nor the phenomenon becomes less significant, nor reputation Meeting Perchenko does not suffer. Here indeed there are valuable, and sometimes even exemplary opus.
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Add to these citations have nothing.
But we want to discuss now scourging of Christ (7-I pattern). Three front party scene depicted in the strange dancing poses. And right from Jesus bichevatel completely twisted inside out. What do you think why so portrayed an artist?