Konchalovsky took great movies: "Tango and Cash," "Runaway Train," "The Odyssey" ... in its own way, of course. So why, pray tell, an unsurpassed master of comic take on the genre, the psychological portrait of the child or graphic? When this happens, and there is something awkward, unwieldy. So is the case with Konchalovsky, unfortunately, happened. Had he done just what he good at it - the price he had been was not!
Последний раз редактировалось I-V; 12.01.2011 в 09:58.
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