Цитата:
Сообщение от Artem
On the form there exists synthetics.
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But I've been there no synthetics, of course, is not seen, not that I eyed, but high-quality expensive European art canvas yet discerned.
Posted 42 seconds
Цитата:
Сообщение от Artem
The subframe is not native! Any competent restorer confirm.
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I do not know, I do not know ... There just have to look at Givet.
Added after 2 minutes
Цитата:
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Сообщение от Artem; 1402341"
and used the "Asphalt", which eventually must darken.
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When the asphalt, we would have nothing now, his work would not see the whole asphalt "came out" would have scored all the painting, but now things Bronnikov and shine.
Posted 7 minutes
Цитата:
Сообщение от Artem
Why, and when he managed to make two similar paintings ???
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Цитата:
Сообщение от Cyril Syzransky
The thing is, as shown sergejnowo, dating from the 1872 year and author's name written in Latin.
One can assume that it Irkutsk work-repetition.
It was at 1873 m, the Bronnikov returned from Italy.
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"Irkutsk work" - this is the one that was on TPHV III exhibition in Russia in 1874 upon arrival Bronnikov in Russia.
Цитата:
The Abandoned. 1873
Oil on canvas. 89 x 113 cm
Irkutsk Regional Art Museum. VPSukachev. Came to the museum in 1920 from the collection of VPSukachev.
Ref. down.: Bronnikov Roma 1973.
Exhibited at the exhibition TPHV III in 1874
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