Цитата:
Сообщение от Cyril Syzransky
He was, Konchalovsky, was the favorite artist of the Leader?
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What about the leader, seemingly has not been noticed.
In some sense we can speak about why he was so moved. In particular because of its practicality. but in general I do not think this can give some one a simple and clear explanation. Think it's a complex set of reasons.
One, indeed, is somewhat puzzling. After all, he almost did not write frankly of social work, such as Deineka. And according to their social status was with him on a par.
However, here is a paradox because it seems to me that Deineka with all his commitment and sotszakazom now looks much more convincing and compelling than Peter Petrovich Soviet era.
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Цитата:
Сообщение от Cyril Syzransky
I would not overestimate the influence of the "Knave of Diamonds" on the official Soviet art, "Knave of Diamonds" bystoro leadership skill set in place. In March 1927, conducted a retrospective exhibition and all.
Yes, and BV Konchalovsky has not played first violin. In the beginning there were Burliuk, Malevich, Larionov, Goncharova, AB and Konchalovsky himself out of VWD.
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Under bubnovovaletovstvom I mean more precisely Konchalovskaya Mashkovsky-line, but not larionovskuyu. Larionov, in my opinion, very quickly realized that these guys are totally alien to him - they have different vector. And yet, it seems to me that the line Mashkova-Konchalovsky or when not interrupted in soviskusstve, for example, severe style - that is their undeniable spiritual descendants. A Larionov their "children" in Russia had little, although this figure is very significant.