Цитата:
|
Сообщение от Cyril Syzransky; 1308771"
as an example of fame "of regional artists "......
|
Elena Il'icheva, her essay "Revelation of the painter:" I will lead humanity for a country of beauty and grace! "- This is so, neither more nor less: a true Renaissance mighty audacity !..... And you - "regional artists." TOUCH!
But back to the underground. Odessa in particular. As soon as it comes to the period 60-80 years of the last century, this theme becomes dominant. Lists the artists of the time, mostly known today, a narrow circle of experts and collectors. The exceptions are two or three names. And the first is always placed N. Egorov - Member of the Union since 1957 goda.Presleduemym was not worked, is constantly exposed. Next sharply descending popularity. The artist, in the real underground, Nikolai Novikov - is known for it, as for instance the Russian A.Zverev.Ego name rarely mentioned gle. Valentin Sirenko, Victor Pavlov ..... What's wrong? Not talented, not identity? God forbid the current painters with a truly Renaissance mighty audacity "one particle of their talent.
Perhaps the value of the underground works of artists today is much higher than their tseny.Tak as measured by today, and all one measure - the price! . Those that "rub" here is the reverse, to put it mildly, cunning. And so I have no doubt, as these apologists nonkomformizma go underground and if they face the question arises, what to buy - a sketch kartonochku ispatannogo at auction of the "People" or painting Risovicha ......
"Underground" in this case is really innocent.