separate phenomena biography of F. Aslanian was a series of portraits by the bitumen, (director Paradjanov, composer Khachaturian, sculptor Ter-Arutyunyan, etc.) and a series of transcendental art, which can be attributed to an abstract painting.
In 1985, F. Aslanian first introduced a series of portraits, executed in a unique technique - stamps.
In 1968godu Freedon Aslanian created the first national wooden faces (dolls), in conjunction with the creation of the 2750 anniversary of Yerevan.
Design products from sea shells - an entirely separate phenomenon from the list of creative discoveries F. Aslanian.
Freedon Aslanian is a member of the Union of Architects (1970), the Union of Artists (1978), the Union of Designers (1978), Armenia and Russia, a corresponding member of RANS.
List of design works by F. Aslanian often intersects with a list of his architectural projects.
Solo Exhibitions:
1965 - Armenia, Yerevan, Armenia's Union of Architects (paintings, drawings);
1972 - Karlovy Vary (graphics);
1975 - Yerevan, Armenia, Cinema House (drawing, painting, crafts);
1978 - Yerevan, Armenia, the House of Journalists (graphic arts, crafts);
1986 - Yerevan, Armenia, Union of Architects (urban planning, design, painting, graphic arts, crafts);
1988 - Belgium, Mr. Antoine (design, painting, graphic arts, crafts);
1988 - Luxembourg (design, painting, graphic arts, crafts);
1989 - Russia, Pushkin (graphics);
1993 - Armenia, Yerevan, foyer Philharmonic Hall (portraits, paintings transcendental)
2000 - Russia, Moscow, House of Science (transcendental paintings, portraits);
2000 - Russia, Moscow Museum of Oriental Arts (transcendental paintings, paintings, drawings, portraits);
2001 - Moscow, Russia, Roerich Museum (transcendental paintings, paintings, drawings, applied research, and portraits);
2006 - Russia, Moscow, Russian Union of Architects (transcendental paintings, portraits, fine arts, architecture, design);
2006 - Russia, Moscow Polytechnical Museum (transcendental paintings, portraits, fine arts, architecture, design);
2007 - Russia, Moscow Polytechnical Museum (transcendental paintings, portraits, fine arts, architecture, design)
Participation in international exhibitions and All:
1978 - Armenia, Yerevan, first republican exhibition of graphics (drawings);
1998 - Armenia, Yerevan, The Second Exhibition of graphics (portraits);
1963 - Cuba, Havana;
1974 - Argentina;
1974 - Morocco;
1987 - Bulgaria, the International Biennale "
1989 - Belgium, Brussels, Galerie Moderne;
2000 - Germany, Hanover, Expo-2000;
2003 - Moscow, Russia, CHA;
2006 - Russia, Moscow Polytechnical Museum, "Dialogue between two cultures";
2006 - Russia, Moscow House of Nationalities, "Armenia-Russia: Dialogue of Cultures"
SPIRITUAL EXPERIENCE
Freedon absorbs time and space, transforming reality into a spiritual experience.
Creative artist line was formed outside designated areas of the critics of recent decades - the "modern", "postmodern", "high-tech", "Conceptualism," "pop art", etc.
At an early age survived clinical death, the artist has experienced feelings psychospiritual death and rebirth (rebirth). Dying before death played a role in the philosophical thinking of the artist.
After 10 years behind the Iron Curtain, "he got the book" Pranoyama Ramacharaka "- the first sign of oriental philosophy. Heavily influenced by practical yoga, studying Eastern philosophy in the knowledge of his "I". Spiritual practice has led the artist to the school Yoga Brahmachari, Delhi.
In 1989 in the village of Pushkin, with the help of prayers, mantras, meditation - in unusual conditions were created first transcendental work. Work performed on the basis of "Bezrazumnogo" by Jung called archetypes. "Mark," this work is difficult. Overlay color - a spontaneous process and the creation of art is without the participation of "pure consciousness", and the hand is directed by consciousness, is important, still like the result. The result is an extraordinary charge of the emotional impact of paintings in which there is no beginning and no end, no barriers, though soar, plunging into the infinite sense of integrity, completeness and remains of any fragment. Obviously, so pictures can be viewed from different angles and at different angles, looking for a long time and getting to know the reach to the bottom.
In these paintings there is one certainty, all that is eternity: love, tragedy, strength, and hopelessness. All of a sudden riot of colors - a shining triumph of hope. In transcendental paintings Freedon expressed micro and macro worlds. Looking at pictures of Freedonia to make excursions in rebirth, going through the familiar and new worlds, revealing the capabilities of their own vision. Pictures of their depth and fantastic lines reminiscent of the "Crossroads of the Worlds" way of Sartre, the romance of Paul Eluard, the eternal interplay of characters the Tao, the entrance gate on-chi, the eternal wisdom and unfathomable mysteries of the universe.
http://www.fridonart.ru/bio.shtml