SergeiSK, I would like to add that the time is already puts everything in its place. When in the early nineties I worked with one of the first galleries that were engaged in socialist realism in the CHA and held regular exhibitions, visitors to the exhibitions, speaking in Russian, at best, turned up their noses and shook his finger to his temple, and at worst - openly spat ... And only "stupid Americans" (vocabulary, Mr. Zadornov) shared in the same batches were buying pictures - good for them then it was worth mere penny. A really well-known Mr. Matthew Bown what got ...
Less than ten years, as those Naja aesthetes grown-matured (ie, more sensible) and became regulars Sovkomovskih auctions and customers specialized galleries.
I think that will not have much time and many (at least those who finance to allow time) changed peregarnogo Zvereva, zapoloshnogo Slepysheva and very specific to the lyrical Kropivnitskogo Gerasimov, thin Grits, and an absolute genius Pimenov.
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