Показать сообщение отдельно
Старый 13.08.2010, 14:39 Язык оригинала: Русский       #34
Новичок
 
Регистрация: 12.08.2010
Сообщений: 7
Спасибо: 15
Поблагодарили 8 раз(а) в 5 сообщениях
Репутация: 16
По умолчанию

Цитата:
Сообщение от Cyril Syzranskiy Посмотреть сообщение
Market musical instruments exist. But this hits the market, sorry for the banal, Stradivarius violins, the site was free. They have long had their owners (often the musical foundations or companies) who "borrow" their greatest violin virtuoso of his time. Some violins and names are the names to play them geniuses, Oistrakh, ex-Oistrakh, Kreutzer, etc.
To buy, for example, violin Spivakov, lawyers patrons, who gave the money to buy inmtrumenta, have drawn up a so-called society-a society, which includes family patrons. Under the contract, they have equal shares. Stradivarius Violin transferred Spivakov for lifetime use. When the tool returns to the owners, their heirs will share the cost of a violin.
Vadim Repin plays on the Ruby 1708, and earlier (before 2005-th) played Pablo de Sarasate .
The last time the auction Christie's New York in 2006, sold and sold, as they say after five minutes of bidding, for $ 3,544,000.
And a violin-ex-Elphinstone 1684 year now sells Guarneri House.
Absolutely! And nobody in the absence of market good violins Stradivari not squeeze consumers for crazy money knocked off in the form of tablets box with the strings and does not say that this amazing-sounding violin no one has ever heard (and will never jam, because, again, there are objective Methods of assessing the quality of tools). And the art market successfully cram!




Последний раз редактировалось Conditor; 13.08.2010 в 14:47.
Conditor вне форума   Ответить с цитированием
Этот пользователь сказал Спасибо Conditor за это полезное сообщение:
Fed (13.08.2010)