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Старый 23.07.2010, 06:53 Язык оригинала: Русский       #159
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"In continuation of planned, by further implementing their criminal intent, Samodurov YV Erofeev AV deliberately and consciously made a decision about the visitors viewing exhibits through a small hole in the exhibits is blocking wall specially set- septum, resulting in even more enhanced by the negative psychological and moral impact on viewers of the exhibition, stimulating them feel offended or humiliated human dignity, which the exhibition is provided for its content and intent, a set used in its exhibits of visual psychological impact, as realized that viewing the exhibition visitors through holes in the partition walls will occur not because of agreement with the authors, exhibits and exhibition organizers or their approval, but because of itself to appear in place of the exhibition, that is the main action have been revealed will of the viewer to visit the exhibition. "
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'Visitors were subjected to while viewing these exhibits strongest traumatic Effects of excessive force, carrying a direct threat to the integrity of the individual and the destruction of their current worldview, that was a mental event and the most powerful stress factor for them, caused them unbearable moral pain and stress, and humiliation of their human dignity. "
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"Continuing to enforce its criminal intent, aimed at inciting hatred and hostility and disparage the widest possible range of religious citizens professing the Christian religion, especially Orthodox Christians, seeking this criminal purpose, Erofeev AV . at the suggestion of V. Samodurov in the final period of the exhibition, 28.03.2008, being in the room of the Museum and Public Center. Sakharov, took part in public discussion of the exhibition with the assistance of the media and the subsequent publication of the discussion on a public website Museum on the Internet. Participating in 28.03.2007 held in the museum discussions as well as later in his public statements about the exhibition "Forbidden Art 2006", AV Erofeev has repeatedly reaffirmed its intent to perform the activities associated with the organization of the above exhibition with Samodurov UV '
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After examining selected Erofeev AV number of exhibits and being fully aware of their compliance with the conceptual focus of the exhibition, Samodurov UV consented to their demonstration and decided on the location and free public demonstration in the museum at: Ul. Earthen rampart, 57, page 6 for the period from 7 March 2007 on 31 March 2007, according to the plan of exhibitions for 2007, a number of exhibits from the number of selected Erofeev AV :

including the exhibit - a graphic composition I. Kabakov, "Fuck you ... bearing in a particularly cynical and sophisticated destructive effect on the consciousness and subconscious of the audience, filled with the overlay of a number of images in the style characteristic for the design of children's drawings, phrases, consisting of maximum gross obscene (obscene) expressions and consisting, in such a way to combine the incompatible - images of childhood and dirty, obscene, extremely offensive warfare - that is for the viewer tough and strong personal insult, humiliate his dignity.

including the exhibit - a sculpture by Leonid Sokov "The Monument", which includes obscene obscene vocabulary, which is part sculpture, enshrined in the spatial implementation of the work, made of metal and consists of three letters "x", "u", "th", which forms Reading from top to bottom unprintable obscene words, carrying in itself, given the general anti-religious context of the exhibition and the name of this exhibit flagrant abuse of religious and moral sentiments of citizens, the humiliation of their human dignity;
including the exhibit "Food Talk" Mikhail Roginsky, including obscene obscene vocabulary, depicting the upper surface of the table on which are located a glass jar, a knife, half-opened box of matches, a round dish, close three round object (presumably, potatoes), wall, table on a green background red inscription obscene, abusive language character, which represents for the viewer tough and strong personal insult, the humiliation of his dignity;

including the exhibit - a graphic composition Avdyei Ter-Oganyan Explosion number 5 ", which includes obscene obscene vocabulary, and which constitutes a stylized image of an explosion on a background of white clouds of smoke, all of this - on a purple background, on top of what is written with an exclamation point consisting of four letters "x", "u", "I", "to" obscene, obscene words, which the public use and display of the inscriptions of the word is a blatant affront to public morality;

including the exhibit "McDonald's Advertising" authored A. Kosolapov, representing the tool runs a color screen printing as a poster-poster graphic composition, including accommodation in a bright red background image of a human face, recognizable, reminiscent manner of performance commonly used in the church's sacral and cultural space image of Jesus Christ, as well as the logo restaurant chain McDonald's (including appropriate spelling of the name of the network in English) and performed with white letters with the English language to read «This is my body» (in Russian translation: "That - my body) - connects the sacred (the image of Jesus Christ and elements of Christian religion) and vulgar (mass food production) and thus contains a blasphemous desecration of the holy sacrament for the Orthodox; mocking showing and transmitting ideas, alleging that the body Jesus Christ is not more valuable than a hamburger or a product of mass catering, or comparable (comparable) with these products, that the image of Jesus Christ is tantamount to the image of any person who is used in advertising campaigns that are equivalent or comparable (comparable) essentially religious Christian rite of communion and eating at any establishment catering that gospel texts are not particularly valuable and comparable in value with advertising slogans;

including the exhibit - "Icon-Caviar authored A. Kosolapov, which is a done through print-on-canvas graphic composition, which is a clearly recognizable salary of Orthodox Christian icons of the Virgin with Child, instead of images of faces, hands and vestments which components significant and meaningful to the faithful of the specified icons, placed a naturalistic image of black game, Contour those elements of the original icons - are a force used to receive pachkaniya Orthodox icons conscious demonstration of contempt for the religious values, outrage the religious feelings of believers and humiliation of their human dignity, carried out on grounds of religious intolerance and hatred;

including exhibits - two works by Alexander Savich "The series travels Mickey Mouse on the history of art" depicting the scene of the Gospel of Jesus Christ's Sermon on the Mount and the Gospel of Jesus Christ of the stage of taking into custody in the Garden of Gethsemane, made on the basis of well-known, recognizable (which is absolutely excludes any interpretation of the duality of content and focus of these exhibits) engravings by Julius Von Shnorr Karolsfelda by their coloring and placement of the author exhibits in lieu of (top) of the person of Jesus Christ of images of famous cartoon character Mickey Mouse, which is clearly recognizable comic cartoon characters, in effect utilized receiving connections sacred to the faithful Christians the image of Jesus Christ and the comic image of Mickey Mouse, representing caricatures of Jesus Christ, is extremely insulting and derogatory to the dignity of the Orthodox faithful. The main content and purpose of the load data items are to translate these ideas-approval: What are equivalent and are equivalent (comparable) images of Jesus and Mickey Mouse, that are equivalent and are equivalent (comparable) in its cultural and moral content of Orthodox Christianity, and any media product, for example, cartoon Mickey Mouse, that Orthodox Christianity - a sort of animated fairy tale story, intended for pastime, light entertainment, not carrying in itself any valuable spiritual, moral or religious and cultural content. Therefore, these exhibits A. Savic represent and carry out extremely cynical, taunting insult dysphoric ridicule of religious beliefs and religious feelings of Orthodox believers, the humiliation of their human dignity on the basis of religion. The exhibit, obviously, deliberately aimed at achieving the above results;

including the exhibit - "Untitled" authored B. Bakhchanian representing a collage representing one of the fundamental Christian symbols - the crucifixion of Jesus Christ on the cross, with a head of Jesus Christ, the author of the exhibit is placed an image of the Soviet Order of Lenin, which is extremely offensive for Orthodox believers, their dignity. The main content and purpose of this exhibit are to broadcast the following ideas, assertions: that the images are equal and amount to Jesus Christ and VI Ulyanov-Lenin, that is equally totalitarian and despotic as Orthodox Christianity, and the Bolshevik regime VI Ulyanov-Lenin. Consequently. B. Work Bakhchanian "Untitled" is and carries an extremely cynical, insulting and humiliating a pejorative, dysphoric ridicule of religious beliefs and religious feelings of Orthodox believers, cruel humiliation of their human dignity on the basis of religion. The exhibit, obviously, deliberately aimed at achieving the above results.

After that, Samodurov YV, AV Erofeev, seeking to further strengthen the negative psychological and moral impacts of exhibits on the minds of visitors, who came to the conclusion that the combination of the exhibition as exhibits that contain foul language, and exhibits with religious symbols, an insult to the Christian religion and Christians as its individual members of the content, for which, using their official position, provided the location of such previously selected Erofeev AV items, as the graphic composition Avdyei Ter-Oganyan Explosion number 5 ", a sculpture by Leonid Sokov" Monument ", a graphical composition of Ilya Kabakov" Fuck you ... "painting" Kitchen Conversation Mikhail Roginsky in close proximity to other items, using and containing a religious symbol of Christians.

In turn, being publicly presented at the exhibition, the latter contain a humiliating performance, negative emotional evaluations, and negative attitudes of a group of individuals who are believing Christians. Those derogatory characteristics held by the method of collage sacred to the Christian religion symbols, such as a cross, the salary of icons, the sacred liturgical texts, iconography scenes stories of the Holy New Testament - a notoriously profane imagery - the symbols of consumer culture (fast food restaurant McDonald's logo, a picture of fish roe), vulgar (cartoon character Mickey Mouse), or for a long time opposed to Christianity ideological symbols, such as the Soviet order, or the title of the Soviet newspaper Izvestia. As part of the collage selected images, which are within the meaning of antonyms core values of Christian faith and worship, or associated with images of its historical opponents.

Accordingly, use of exhibits and the above-mentioned shaped devices designed to create meaningful experiences crossing out, denial, destruction of sacred meaning of Christian symbols and, consequently, the destruction of the meaning of Christian faith, and thus a direct affront to Christians and as bearers of this belief.
From Forum http://rusliberal.ucoz.ru/forum/4-56-1
Igor Grigoriev Thank you very much, interesting forum


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History of Russia, the prosecutor Vyshinskiy.Znayuschy and very talented prosecutor. (EA)




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