[ni_m]

Sweetheart, LCR, like we all directions, movements and genres of 20 th century took up, without losing even those for whom other artists (and one has to confess - a critic) and the hearing may not be heard. Art-world Europe with the two Americas dissected on the block meticulous research! And yet, how did inorganic, is lacking looks, oddly enough, in one piece table without a world famous (!) (Rather than through, for example, Italy's small-town), our ex-Soviet non-conformism, or as yet determined his successful Boris Groys - Moscow romantic nonconformism.

In anticipation, of course, the possible confusion of some adherents of strict adherence to geographic settings, I explained: contemporary art of the past century, though carried a naturally bind to certain loci, but the content and character expressed by gestures inevitably had international specifications. It is no coincidence that so many people from among the Soviet non-conformists, dashing in those years, yet behind the curtain, organically integrated into the international mainstream - and all because the language of their statements was identical to the already international. (Although, there were the inevitable failure.) Or, as, for example, to evaluate such a thing as published by the remarkable nonconformist artists Vadim Zakharov log Pastor? He, like Pastor, collects for the publication of material from scattered through Europe in the Soviet past, artists - people from the very same "flock", a priori and its combined outstanding set of invisible spiritual nity. Yeah, Moscow nonconformism would never have arisen and would not as such out of the soil and the atmosphere that spawned it. But, in my opinion, this phenomenon was of a much broader scope than the strict confines of one country, having transformed its continuation in the works of artists who found themselves in new environments, where already the country was not.