In 40-60's, you can add "arte nukleare" - movement that spread among the Italian artists of the 50's. It was founded in 1951 by Enrico Bajema, together with Sergio Daniel and Janie Bertini to promote one of the - quote - "a sweeping fiction, avant-garde styles. In its first manifesto of 52-year artists have presented the idea of "nuclear painting and made it clear that pretend to express feelings, thoughts and feelings post-war period, recalling its consequent dangers for humanity. According to his convictions movement was in opposition to all those in power at risk, as they wrote, the very existence of life in an age of atomic weapons in order to express, in general, universal, for that period of society fear of a nuclear apocalypse, yet, in fact, humanity itself finally grown accustomed to the idea.
Artists from arte nukleare, of course, went a little further reasonable fear, protesting against its reflection of uncontrolled hazards posed by nuclear physics, including, as a science. From a purely artistic positions as artists opposed to all forms of geometric abstraction, following instead the effects of - quote - "the unpredictability of surrealist automatism."
In the mid-50's Gianni Dov and several other artists have successfully participated in the publication of the journal Phases. In January the 59 th they are once again released its manifesto - already the second - no one special at this time are not surprising: it was a warning against new technologies, including those coming from certain aspects and perspectives of the process of nuclear fission.
Although they have and there were several exhibitions, and they acted in nearly a decade, the movement was without ideological support of the then existing in Europe, similar trends (such as, for example, al informel) and thereby subsequently it has not received its further development.
Thus, by the early 60's with a proscenium European art history is gradually and sadly it went down another episode ..
Последний раз редактировалось ni_m; 25.06.2010 в 15:53.
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