|
Гуру
Регистрация: 24.05.2008
Сообщений: 5,017
Спасибо: 5,605
Поблагодарили 6,167 раз(а) в 1,669 сообщениях
Репутация: 9525
|
Цитата:
Сообщение от inquisitive
Dear Sergey!
My starting point not only and not so much liked by Volkov neighborhood of villas on Siverskaya as his masterly command of all imaginable and unimaginable tools of painting.
Цитата:
Читать дальше...
Ambush at the same places at the easel of any artists, but what happened?
Volkov was able to step beyond the usual basic parameters (composition, perspective, modeling the form, light, color, stroke) and managed to achieve the main thing - he needed the audience reaction.
What infuriated many colleagues in the shop.
They do not know how and could not (were not in a position - German verb «mögen»).
Name me any of his contemporaries, who could achieve a striking effect of changing the perception of each of its repetitions plot.
Volkov was amazing, in my view, fantasy artist, who could not limit its repeat addition (decrease) trees, although he does it. Volkov was not able to («mögen») to copy their work. With his temperament is - is unattainable. He always something, but straight.
If you make a small hole in the tube with a good bottle of champagne - it spilled decaying jet. With foam and fast enough.
Volkov is a purely Russian irrepressible nature, such a good Braga, which will froth and pour endlessly, and, without any holes - over the edge.
See what maketh Volkov and he liked borough.
Posted landscape. Not.
Posted cub. Not.
Change the year. Again, not that.
Stuck in the birch crown of firs. The tops of spruce trees in the sunset Counteropenwork closed the space, forming a kind of Colosseum. The walls of the Colosseum have turned the stream into an arena for the beam. Arena, decorated with birch. The dark fir walls simply push these white birches on the audience, dragging him into the arena. Pour the tea into the saucer, so go to the scene to examine it slowly, deliberately, at the same time and drink tea.
Yes you have a saucer that Volkovskiy sunset ray zaplyashet himself.
And to cover your eyelids. You feel it yourself. Physically.
This is ownership. What can only the greatest masters.
At such moments, I do not care about comparisons estimentov. Well, where Shishkin with strangers bears in the woods before his magic Volkovsky ray?
That's it.
I'm not a bear, bears to empathize. Although all so well written.
Yesterday I wrote about snot, penetrate and current in each of the Volkov old woman in "October". All of these fir-sosenochki with river and fallen leaves - only the background for the old lady and nothing more. There is a picture of an old woman - and do not believe in a single authorship of the two paintings. And nobody, except the envious, has nothing to do with mastery of landscape images. Because in this case, the landscape - part of the aura of a poor old woman, who can not (shall not) be a bad thing. Volkov, not only made leak snot every spectator. He grabbed my throat and stung us in our eyes. After all, everyone imagined story of this poor old woman, beggar, who pehom rushing into a big city to feed and Living out.
How sick dog, which is looking for a place to die.
Each was born or born in the head has its own history of this old lady.
And the other old ladies.
Familiar and unfamiliar.
Who have nothing to eat and nowhere to sleep.
How does this rubles (dollars, euros, yuan) can vymeryat this Inclusivity?
Although each painting as a thing has its own (agreed by the parties) price.
P.S. Still, someone somewhere saw the plot of the second picture? With ray. I can not believe that Volkov has ceased to develop this plot.
Just in case cite a number of visual art I have mentioned EE Volkov, including a number of paintings in this dubious (unsigned owned by me).
|
|
Bravo, curious! Oda Volkov.
Hurry recovering.
|