Форум по искусству и инвестициям в искусство - Показать сообщение отдельно - Transcarpathian painting abroad 18-20 Century (story)

antikuz · 21.05.2010, 14:53

Continued ...
Until the end of XIX century. has expired the highest rise of critical realism in Hungarian painting, how pomichen 1850-1880-1 years. But tradition Munkácsy and his associates were not forgotten on the fracture ages inhabited and Prace ¬ gross many prominent realists, who deeply and truly displaying a nature and people of his native country - S. Behari, A. Fenesh, K. Kernshtok, S. Hollósy, I. Costa, I. Revesz, S. Peter, P. Shinyo Mersch, J. Torma, and others that have defined the ideological and creative person progressive Hungarian painting of that time. These were the pioneering artists who boldly broke the ossified official academic canons. It was they who determined the values of Finno-Carpathian creative connections. First of all, here you need to name names Simon Hollósy and Imre Revesz - outstanding representatives of the Hungarian democratic realism late XIX - early XX century. Founder and head of Nadbanskoy school, a talented painter, teacher Hollósy (1857-1918) played a huge role in the history of the new Hungarian art. Around him rallied
gifted youth not only Hungary but also of many neighboring countries. Along with many pupils Hollósy long time lived in the village, wrote in plener landscapes and genre scenes of peasant life, trying to reproduce the life around. In March 1904 the residence of his school Hollósy elects not a big town Tyachiv in Transcarpathia, in 1914 he built a workshop here. In Tyachev taken a an international artists' colony, where the veins and worked the Hungarians, Russians, Ukrainians, Georgians, Poles, Czechs, Bulgarians, Germans, Austrians, Serbs, French, Swiss. In Tyachev artist and died in 1918.
The young zakarpatskimi artists who began their way into the first desyateletiyah XX century. Was inspiring example of fruitful creative and ideological cohesion artists in imya serving the people with their art. Even more to the art of Transcarpathia Imre Revesz (1859-19 45), a student and devoted follower Munkácsy, one of the most prominent and most talented representatives of democratic realism in the Hungarian paintings of the late XIX - early XX century. His historical paintings from the era of the Hungarian Revolution "Petofi among the people", "Petofi camp Bem", "deserter" (ZHM), genre scenes "hard", "Under the tent, and finally, painting" We demand bread ", which is concerned with its drama and the power of social protest, illustrations, poetry S. Petofi, etchings, drawings and other works by Reves, have become classics of Hungarian art. Close-knit Reves was connected to Transcarpathia. Although he was born in Hungary, childhood proyshli in the Transcarpathian town Sevlyushe (Vinogradov). The artist came here and later, most recently in 1900. There he wrote and drew a lot of Transcarpathian Ukrainians, Gypsies, were permanent residents in its native, here it held its last years and died u1905 year. It is no accident that among the students Reves on Budapsshtsky Academy of Arts, where he was lecturing since 1903, we find the well-known Transcarpathian
Artists - K. Ysaye, I. Bokshay, A. Erdei. At the beginning of XX century. a painting of Transcarpathia there for greater creativity, which fell mainly on the 20-30th years. In the arena of artistic life comes a new generation of artists - D. Virag, K. Ysaye, D. NFI, etc. In 1914, the Budapest Academy finishes I. Bokshay; in 1916 - A. Erdelyi even a few years - E. Grabowski.

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A special place among the artists Transcarpathia occupies Alexander Grabar (1883-1959). Biologist for the profession, he was fond of painting as an amateur and scholar: many of his paintings on display in the department of nature Uzhgorod kraeznavchego museum. However, the lessons of that time gave him in years Heverdle, and most importantly, the robot over a bore fruit: such landscapes Grabar, as Lyutyanska Valley "(ZHM)," River Lyutyanka (ZKM), and especially landscape-painting, " Oak Grove "(1914, ZHM) can be safely cleared by the important achievements of the Carpathian painting of the century. But the honor to be called the first prominent painter of Transcarpathia XX century. . rightfully belongs Dyule (Julie) Virago (1880-1949). A native of Transcarpathia, Virag all his life and work povyazav with native edge. Only the years of study and short-lived, though they crossed the long journeys in foreign lands. Education Virag received in the walls of Munich Academy of Arts, where he studied in 1898-1899 years in the classroom, and L. Sh Hollósy Lefttse. Here it is well understood strong academic drawing - indestructible skeleton may6utnih his paintings, specifically myunhensku black art: his paintings bilshfst severe sustained in dark colors and tones with characteristic light reflections. Munich School left an imprint on the very imagery works Transcarpathian artists. After Munich - ¬ Buda Pest, two years in the School of the exemplary figure "Professor Ballo. Already since 1900 Virago portraits on display at exhibitions in 1903 and brings a joyful success. In that year in Munich
was organized by Franz Lenbach Retrospective Exhibition ", which involved only the artists, personally invited by Lenbach. The exhibition consisted of three cycles, and Virag exhibited one portrait each of the two stay. In those years the artist has traveled extensively. His restless nature, a desire to learn everything and see everything yourself, as well as the full financial nezabszpechenist at home urged him to frequent and sometimes dala ¬ FIR travel - to Paris, where the painter with a time studied at the Academy Kyulena in Italy, Spain Finally, in 1901, for the ocean to America. Returning home, Virag poselyaetsya first in Uzhgorod, and then in Mukachevo, which since 1903 pack the place of his permanent dwelling. Only the First World War broke the measured rhythm of life in 1915, Virag was called up to the Austrian army and nearly three years spent on the Italian front. The main genre Virago was the portrait. It is difficult at present to say how many portraits he wrote during the years of creative work: in any case the number of those determined by the tens and hundreds. Easily and accurately, as if without any effort sends Virag portrait similarity and individual specificity of their models. His portraits are somewhat dry in style, conditioned for the dark, "in Munich's" husky painting. Not as much color as plastic and drawing - a clear, strong, confident - are the basis of these works. Creativity Virago - an important milestone in the history of art Transcarpathia. First of all his works, he drove the need for professionalism as the foundation and starting point for further development of fine arts. Virag was on the essence of the first distinguished artist-realist, which finally approved the right of existence of secular painting. In the art of Transcarpathia is a new positive hero - a man of the people. By generation Virago include several more hudozhkikiv that were about the sources of the Carpathian school. Including - Gyula INF (1874 - 1942), a gifted painter, a man of complex and important byugrafii. He studied in molodesti in Budapest, Munich, Paris, visited Vienna and Holland, Dalmatia, the Baltic States, America, then settled down at home and has since remained faithful to Transcarpathia. In 1925 groves in Bratislava have been his personal exhibition. NFI wrote mostly landscapes, genre scenes from the life of the Carpathian peasants ("Collection of potatoes", ZKM, and inshi). NFI, unlike Virago, who considered himself not so much Ruthenian as generally "sub-Carpathian" artist, stressed his decision-lezhnist to Transcarpathian Ukrainians. His work for equipment and vikokannyam reproduce the peculiar world of Transcarpathian village, painted a warm and sincere lyricism of the author. I still, for all its good intentions, NFI has not been able to overcome an ethnographic approach, to penetrate their purely external signs. They have greatly contributed to building and strengthening the foundation of the Carpathian school, but to build the structure itself sulilosya The Next Generation - IM Bokshay, A. Erdelyi, their companions, followers, disciples (E. Grabowski, F. Manaylo, A. Boretsky, A. Kotzk, E . Kontratovich, H. Gluck, A. Kassai, Of. Soltes, E. Medvetskaya, E. Kremnické, V. Gabda, J. Herz, F. Seeman, J. Gharani, A. Marton, V. Mikita, V. Burci , Sapatyuk M., Shutev IM, etc.).

21.05.2010, 14:53	Язык оригинала: Русский #2
antikuz Пользователь Регистрация: 21.12.2009 Адрес: Ужгород Сообщений: 58 Спасибо: 21 Поблагодарили 29 раз(а) в 16 сообщениях Репутация: 58	Continued ... Until the end of XIX century. has expired the highest rise of critical realism in Hungarian painting, how pomichen 1850-1880-1 years. But tradition Munkácsy and his associates were not forgotten on the fracture ages inhabited and Prace ¬ gross many prominent realists, who deeply and truly displaying a nature and people of his native country - S. Behari, A. Fenesh, K. Kernshtok, S. Hollósy, I. Costa, I. Revesz, S. Peter, P. Shinyo Mersch, J. Torma, and others that have defined the ideological and creative person progressive Hungarian painting of that time. These were the pioneering artists who boldly broke the ossified official academic canons. It was they who determined the values of Finno-Carpathian creative connections. First of all, here you need to name names Simon Hollósy and Imre Revesz - outstanding representatives of the Hungarian democratic realism late XIX - early XX century. Founder and head of Nadbanskoy school, a talented painter, teacher Hollósy (1857-1918) played a huge role in the history of the new Hungarian art. Around him rallied gifted youth not only Hungary but also of many neighboring countries. Along with many pupils Hollósy long time lived in the village, wrote in plener landscapes and genre scenes of peasant life, trying to reproduce the life around. In March 1904 the residence of his school Hollósy elects not a big town Tyachiv in Transcarpathia, in 1914 he built a workshop here. In Tyachev taken a an international artists' colony, where the veins and worked the Hungarians, Russians, Ukrainians, Georgians, Poles, Czechs, Bulgarians, Germans, Austrians, Serbs, French, Swiss. In Tyachev artist and died in 1918. The young zakarpatskimi artists who began their way into the first desyateletiyah XX century. Was inspiring example of fruitful creative and ideological cohesion artists in imya serving the people with their art. Even more to the art of Transcarpathia Imre Revesz (1859-19 45), a student and devoted follower Munkácsy, one of the most prominent and most talented representatives of democratic realism in the Hungarian paintings of the late XIX - early XX century. His historical paintings from the era of the Hungarian Revolution "Petofi among the people", "Petofi camp Bem", "deserter" (ZHM), genre scenes "hard", "Under the tent, and finally, painting" We demand bread ", which is concerned with its drama and the power of social protest, illustrations, poetry S. Petofi, etchings, drawings and other works by Reves, have become classics of Hungarian art. Close-knit Reves was connected to Transcarpathia. Although he was born in Hungary, childhood proyshli in the Transcarpathian town Sevlyushe (Vinogradov). The artist came here and later, most recently in 1900. There he wrote and drew a lot of Transcarpathian Ukrainians, Gypsies, were permanent residents in its native, here it held its last years and died u1905 year. It is no accident that among the students Reves on Budapsshtsky Academy of Arts, where he was lecturing since 1903, we find the well-known Transcarpathian Artists - K. Ysaye, I. Bokshay, A. Erdei. At the beginning of XX century. a painting of Transcarpathia there for greater creativity, which fell mainly on the 20-30th years. In the arena of artistic life comes a new generation of artists - D. Virag, K. Ysaye, D. NFI, etc. In 1914, the Budapest Academy finishes I. Bokshay; in 1916 - A. Erdelyi even a few years - E. Grabowski. Читать дальше... A special place among the artists Transcarpathia occupies Alexander Grabar (1883-1959). Biologist for the profession, he was fond of painting as an amateur and scholar: many of his paintings on display in the department of nature Uzhgorod kraeznavchego museum. However, the lessons of that time gave him in years Heverdle, and most importantly, the robot over a bore fruit: such landscapes Grabar, as Lyutyanska Valley "(ZHM)," River Lyutyanka (ZKM), and especially landscape-painting, " Oak Grove "(1914, ZHM) can be safely cleared by the important achievements of the Carpathian painting of the century. But the honor to be called the first prominent painter of Transcarpathia XX century. . rightfully belongs Dyule (Julie) Virago (1880-1949). A native of Transcarpathia, Virag all his life and work povyazav with native edge. Only the years of study and short-lived, though they crossed the long journeys in foreign lands. Education Virag received in the walls of Munich Academy of Arts, where he studied in 1898-1899 years in the classroom, and L. Sh Hollósy Lefttse. Here it is well understood strong academic drawing - indestructible skeleton may6utnih his paintings, specifically myunhensku black art: his paintings bilshfst severe sustained in dark colors and tones with characteristic light reflections. Munich School left an imprint on the very imagery works Transcarpathian artists. After Munich - ¬ Buda Pest, two years in the School of the exemplary figure "Professor Ballo. Already since 1900 Virago portraits on display at exhibitions in 1903 and brings a joyful success. In that year in Munich was organized by Franz Lenbach Retrospective Exhibition ", which involved only the artists, personally invited by Lenbach. The exhibition consisted of three cycles, and Virag exhibited one portrait each of the two stay. In those years the artist has traveled extensively. His restless nature, a desire to learn everything and see everything yourself, as well as the full financial nezabszpechenist at home urged him to frequent and sometimes dala ¬ FIR travel - to Paris, where the painter with a time studied at the Academy Kyulena in Italy, Spain Finally, in 1901, for the ocean to America. Returning home, Virag poselyaetsya first in Uzhgorod, and then in Mukachevo, which since 1903 pack the place of his permanent dwelling. Only the First World War broke the measured rhythm of life in 1915, Virag was called up to the Austrian army and nearly three years spent on the Italian front. The main genre Virago was the portrait. It is difficult at present to say how many portraits he wrote during the years of creative work: in any case the number of those determined by the tens and hundreds. Easily and accurately, as if without any effort sends Virag portrait similarity and individual specificity of their models. His portraits are somewhat dry in style, conditioned for the dark, "in Munich's" husky painting. Not as much color as plastic and drawing - a clear, strong, confident - are the basis of these works. Creativity Virago - an important milestone in the history of art Transcarpathia. First of all his works, he drove the need for professionalism as the foundation and starting point for further development of fine arts. Virag was on the essence of the first distinguished artist-realist, which finally approved the right of existence of secular painting. In the art of Transcarpathia is a new positive hero - a man of the people. By generation Virago include several more hudozhkikiv that were about the sources of the Carpathian school. Including - Gyula INF (1874 - 1942), a gifted painter, a man of complex and important byugrafii. He studied in molodesti in Budapest, Munich, Paris, visited Vienna and Holland, Dalmatia, the Baltic States, America, then settled down at home and has since remained faithful to Transcarpathia. In 1925 groves in Bratislava have been his personal exhibition. NFI wrote mostly landscapes, genre scenes from the life of the Carpathian peasants ("Collection of potatoes", ZKM, and inshi). NFI, unlike Virago, who considered himself not so much Ruthenian as generally "sub-Carpathian" artist, stressed his decision-lezhnist to Transcarpathian Ukrainians. His work for equipment and vikokannyam reproduce the peculiar world of Transcarpathian village, painted a warm and sincere lyricism of the author. I still, for all its good intentions, NFI has not been able to overcome an ethnographic approach, to penetrate their purely external signs. They have greatly contributed to building and strengthening the foundation of the Carpathian school, but to build the structure itself sulilosya The Next Generation - IM Bokshay, A. Erdelyi, their companions, followers, disciples (E. Grabowski, F. Manaylo, A. Boretsky, A. Kotzk, E . Kontratovich, H. Gluck, A. Kassai, Of. Soltes, E. Medvetskaya, E. Kremnické, V. Gabda, J. Herz, F. Seeman, J. Gharani, A. Marton, V. Mikita, V. Burci , Sapatyuk M., Shutev IM, etc.).