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Good afternoon
You know, this story is dedicated to New Paris School - art direction, which appeared after the Second World War.
Georges Rouault (Georges Rouault) in principle, can be attributed to the First School of Paris, but not the second.
Frankly, Ozanfan and Erben, too irrelevant to the Second School of Paris.
We have tried to somehow identify the artistic direction and the group were part of their artists.
Maybe it's better isolate Ozanfana, Erben and Rouault (Rouault and some just deserves a separate story)?
And Buffet is also to build some separate pen (I confess, I can not stand this artist)? 
On a remarkable artist Ruo whole chapter here: http://forum.artinvestment.ru/showth...%B6 & page = 3 |
You're absolutely right - and Ozenfan Erben not attributable to the Second School of Paris. I was shot down at first confused "20-30 years" at the first post in the topic. Only for quite some time later I discovered that it comes second, postwar already at school. So the first two, of course, have to disavow for the period claimed.
It is also true that as the RSO and George started and worked very efficiently during the Ecole de Paris. But fate and the artist's work is so amazing that sometimes it is difficult to clearly attributed to one or another school. Yes, and used some of it - that is unique to art of the 20 th century - the start was written during the first school, and ends when it has already come to replace another. This is an amazing artist .. It is difficult for him to remain indifferent
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Hans Hartung - also one of the most interesting artists of the second school. As a German, born in Germany, a famous artist of world renown is gained on French soil. After the start of World II, he fought against the Nazis in the French Legion! Seriously wounded in the 44 th, which he had to postpone amputation without anesthesia, in 46 th Hartung received French nationality, and already in the post-war period has become known as one of the leaders of Al informel. By priatachennym work shows how much he clearly has developed a fully abstraktsionistsky style in which the linear elements constitute the overall rhythmic unity.
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Remarkable text. When you can see a complete translation?