Цитата:
Сообщение от ni_m
George Ruillé. He was very close to a dramatic existentialism of the philosopher Jacques Maritain. About his own works he worked extremely long, often about twenty years. In the late forties burnt to three hundred of his works. Perhaps one of the most enigmatic figures of the Paris School.
|
Good afternoon
You know, this story is dedicated to
New Paris School - art direction, which appeared after the Second World War.
Georges Rouault (Georges Rouault) in principle, can be attributed to the First School of Paris, but not the second.
Frankly, Ozanfan and Erben, too irrelevant to the Second School of Paris.
We have tried to somehow identify the artistic direction and the group were part of their artists.
Perhaps it is better to isolate Ozanfana, Erben and Rouault (and Rouault, that's exactly deserves a separate story)?
And Buffet is also to build some separate pen (I confess, I can not stand by this artist)?
On a remarkable artist Rouault a whole chapter here:
http://forum.artinvestment.ru/showth...2651&highlight =%D0%B6%D0%BE%D1%80%D0%B6 & page = 3