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Сообщение от LCR
mediocre Jeff Koons with Hearst, which represent for me the kingdom of militant plebeian
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"Koons with Hurst" - an excellent collective image, but it requires clarification.
This image is not a group of artists, and some socio-psy-art-economic phenomenon. In this impersonal quality to them makes no sense to apply such definitions as "worthless".
We can say that they are - talented actors in the socio-economic performance without a title, staged by the age on the stage of art. (We all remember that the art died and freed the boards?)
Position Koons - offshoots of Dada to cultivate ever-green tree of pop art.
The functions include Hirst to another field - to the sphere of pop-modernism. He is busy and rigorous monoideist delivery of memento mori - the oligarchs and thought "dead more alive all living" - to the masses.
The latter idea is particularly clear and close post-Soviet people.
(By the way, saw the head of cows and mushin necropolis Hirst at Pinchuk Art Center.
Impressive, no kidding. Would venture to say that gifted installation. But the picture Koons - zero emotion).
Artifacts that are sold under their brand, they rarely touched his limbs:
"Jeff Koons" and "Hurst" producing factories that employ large teams of talented artists and sculptors. As far as I remember, Hirst's 240 at the hands (in the sense of, 120 masters). These services also sociologists, financial analysts and intellectuals, elites supply the consumer to the extent of the complex, but not accessible to the plebs concepts.
Summing up: as long as these guys work out your sotszakaz, they will not give much to fall. They are likely to survive the crisis and for a long time will ruin the blood nekrofilstvuyuschim art dealers.
With regard to long-term perspective, the historical justice be done and the price of their work will fall, and the larger, more products nashtampuyut design bureaus on their behalf.
But it will be a completely different era.