Something I was stuck in a mature, postindiyskih paintings by Sir Howard Hodgkin, but attempts to listen to the text and pack this "something" in the intimate lyricism of everyday life not much I succeeded: hindered insertions in the picture is not pretentious, but it is quite romantic romanticism, with owed him a dose of the sublime, global and even tragic.
I wanted to compare their experiences, and found that something similar will probably find the artist and the American choreographer Mark Morris (who got a ballet critics called the Mozart of modern dance). Otherwise, why would he ordered Hodgkin's scenery to its cycle of "Dancing Mozart?
The artist was the challenge: the background to Mozart Dances, he chose a white surface with a left to her three large clumps of dark colors, like smudged fingerprints. This background, obeying the rhythms of music by Mozart, brighten lighting installation.
Here's a look, as it looks cool:
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