Цитата:
Сообщение от KaterinaMN
On the other hand - a huge mass of Socialist realism - brilliantly holding academic drawing techniques - but impersonal so that it is impossible to distinguish one from another (with rare exceptions). "
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I began to think that the main cause of "faceless" (as a very precise representation of Maroussia) was a survival instinct, at the terrifying totalitarian times, when any sign of individuality could be (and was) fatal consequences. (Will there be a drab and faceless during hruschovskoy "thaw"? Let's search!)
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Цитата:
Сообщение от Artem
Well, of course. It is impossible to distinguish from Lomykina Lopukhova or Stozharau from Gritsaya. And much of Nyssa Mylnikova well or how not to be distinguished. Examples! I did not understand. Who you can not discern?
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I perfectly understand that there has since Maroussia (it just proves once again that visual arguments are often simply essential that)