Цитата:
Сообщение от Cyril Syzranskiy
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wormed his way into the oil and then what? Writing to dry? How? And what effect will be?
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Allow to dry and write.
Why? The soil will not "pull" the paint, leaving the impression that it is written in tempera, and even Gaúcho. This is especially important about those who wrote did not pasty and thin (that's how this work, for example). If the paint is applied impasto - oil enough to nourish the soil.
Why, then dilute the film? ask me. She's sort of just does not give ground to pull the paint?
Blur film of soil must be because now in the ground and acrylic film does not let oil into the ground. And this is also not good - there is no hitch.
And then there are primed canvas though with acrylic film, but still peremelovanny - there's simply no way "sweet talk".
Only oil should be very little. And the pen, pen.
How dry? Not very long. Ready primed canvases for years waiting in the wings are covered once the oxide film.