Форум по искусству и инвестициям в искусство

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- - Yiddish-Land "Vellum" (https://forum.artinvestment.ru/showthread.php?t=96572)

Yiddish-Land "Vellum"

"Yiddish-Country in the eyewitnesses painting" Gallery "Vellum"

Цитата:

On November 2, gallery "Vellum" (CHA, hall № 3) opens the exhibition project "Yiddish-Land in the painting of eyewitnesses." The exhibition marks the International Day of Tolerance (tolerance) on 16 November.

Цитата:

The exhibition at the gallery "Vellum" will be exhibited graphic and pictorial works of artists of the Soviet period: Meer Akselrod (a recognized master of portraiture, landscape painting, genre painting, illustrator of literary classics, art director at Jewish theater), Abram Monoszona (Kuprin, who took care of the talented student until his death, exhibited the work Monoszona on joint exhibitions on one wall with his), Anatoly Kaplan (who developed the characteristic motifs of the pre

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I will start reporting from Monoszona. Enjoyed a series of "Communal Living." Someone might say that Chernukha, and for me or not - have fun and not evil.
Price is $ 06.12

Добавлено через 8 минут
Definitely liked Ostrovsky, but ...

Especially his still lifes, especially those in which the motives are viewed Veisberg.
And the price is not the most expensive series.

Dreams (portraits) 10-12 m. $

Still-life of about 7 m. $

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Continued Ostrowski - landscapes, also in the region of 7 tons $

Definitely liked Ostrovsky, but ...

Especially his still lifes, especially those in which the motives are viewed Veisberg.
And the price is not the most expensive series.

Dreams (portraits) 10-12 m. $

Still-life of about 7 m. $

Continued Ostrowski - landscapes, also in the region of 7 tons $

Kaplan

Prices:

Pencil is $ 06.03

Gouache is $ 12.07

Temperature of about 20 m. $

Axelrod

b /$ 1.5 m.

Цитата:

Сообщение от Konstantin (Сообщение 1360861)

especially his still lifes, especially those in which the motives are viewed Veisberg.

That's interesting.
And all these scenes from the past life of small towns Pale, the whole is a modern stylization of art galut (or rather, invented today, there was then no iso in the Diaspora, the first such things appeared as illustrations of the Sholem Aleichem, Mendele Mohair Sfarimu and Yitzhak Peretz) naively looks like now. How are now the scene of St. Petersburg or Moscow merchant bureaucratic life of XIX century.

Цитата:

Сообщение от Cyril Syzransky (Сообщение 1360931)

That's interesting.
And all these scenes from the past life of small towns Pale, the whole is a modern stylization of art galut (or rather, invented today, there was then no iso in the Diaspora, the first such things appeared as illustrations for the works of Sholem Aleichem, Mendele Moher Sfarimu and Yitzhak Peretz) naively looks like now. Look like now, modern paintings with scenes from St. Petersburg or Moscow merchant bureaucratic life of XIX century.

There is a demand - will offer.

Цитата:

Сообщение от "artcol (Сообщение 1361081)

There is a demand - will offer.

Demand for these things imaginary.
Who had-bought, but in Israel, for example, to such an ambiguous attitude galutnomu art.

Цитата:

Сообщение от Cyril Syzransky (Сообщение 1361181)

The demand for these things are imaginary. Who had-bought, but in Israel, for example, to such an ambiguous attitude galutnomu art.

It is clear that the imaginary. The case of cargo-cult. Artist Iksigon just cries out - what to write? Someone answer this question takes on the surface, someone actually looking for. In the first case and there are historical reconstructions . Artists responsive people.

Цитата:

Сообщение от Cyril Syzransky (Сообщение 1361181)

and here in Israel, for example, to such an ambiguous attitude galutnomu art.

If you can tell me more, I think it's interesting.
Generally, that is - the art market in Israel?