Petr Konchalovsky GTG
 

The exhibition is open from 16 September to 14 November 2010
Corps of Engineers, Lavrushinsky lane, 12

Unlike shows Verevkin here with appearances press was all right.
- Media
- Opening
- Facilities
Then go humor. Click something funny goal was not, but hurt themselves in the frame begged scenes from the life.

- Two for the painting and its reflection in the hall
- Girl in red honestly considered the painting, and her crowd was a crowd Ace Photographer. She behaved quite naturally and seemed not to notice their pursuers. Passionate was high art, and photographers here that myself and showed.

Exhibition liked. Presented by the most interesting period of creativity Konchalovsky 1900-1920 year and the subsequent masterpieces of time. Moreover, since the 20's obviously changed energy paintings, even the masterpieces and it is interesting to see live.
- In the studio, family portrait of 1917. If you look closely you'll see a picture in front of microphones, a full impression that the characters will now speak
- Family Portrait 1912
- Family portrait on the background of the Chinese mural 1911
- Beer roach 1912
- Stove 1912
- Agave 1916
- Portrait of a violinist Romashkova 1918 - very much.
- Samovar 1917
- Bridge at Nara. Wind. 1917
- Factories in Nara, 1918

Nu.

It should be noted that the model he came across not so.
Sturdy, if not the thick of peasants have been somehow better.

1 and 2.
1917 and 1916.

3.
1929

Figures do not remember

7 and 8 "polisher" and "Golden Age" 1946


For example, only this series shows how the artist changed.

Ha-ha-ha!
:D :D :D

Konstantin, and you believed that the girl in red is not posing?

It should also be so naive!

It is like the Spanish-Franco-Italian period. It was after his work Konchalovsky abruptly changed and the exhibition clearly shows this.
- 1910 Spanish flu
- Bullfights 1910
- Another bullfight 1910
- Matador - 1910
- Spanish Dance 1910
- Begonia 1911
- Under the 1912 Sienna
- Casey. Ships 1913
- San Gimignano 1912
- More San Gimignano 1912

Of course believed :) "she even slightly aloof, so as not to interfere with photographers shoot pictures. But they and the belly, and on his knees, and on his head - the wheel went around pictures of course.
Some even looked under the hood, as aptly put it in the next branch of one of our members of the forum.

But I'm looking at your photo essay about the exhibition, Konstantin, and find myself thinking that tired and from Konchalovsky, and the "Knave of Diamonds" in general.
Or they are already fed up with it?

Most of Konchalovsky.
For example, I have encountered a surprise to me the opinion of fans and connoisseurs of Russian avant-garde.
 When asked whether you go to this exhibition, more often hear the answer - no. It's not an interesting artist, Mol.

Konstantin, so how could there be in the vanguard of the "Knave of Diamonds"?

Everything was up to them: