Lost in the anchor
 

Sarnitsa, porcelain, underglaze and overglaze painting, stamp (with melted gold) on tylnike the tray.
Tray: 14,5 h19
Cover: 11,8 h15h10, 8 (height).
100%safety, except for worn-glaze painting on the tray. The left wall of the lid has a small deflection of the inside.

Actually, a is the anchor was raised in Chelsea, between the Golden Anchor-XVIII in ..
But, they say, later had a Chelsea did. And someone can not remember.

Agree with you - a brand, like, Chelsea (№ 5).
Tvorenka confused.

The paint rubs off? tried?

curious, the Germans had too many anchors. It would not have younger brothers.

True, but there is a form of anchors themselves a little different.

Cyril Syzranskiy,
Tightly.

Added after 4 minutes
NEO,
Cover dough with another. Porcelain thin, clear and transparent. Of course, inferior to modern Chinese.
Cyril Syzranskiy rights - the Germans another form of anchors.

Generally a pleasant thing ...

Well, it's mass production, no?
Almost mid 20 th century in feeling ...

All the porcelain mass production.