August Macke (1887-1914)
 

August Macke was born in Renan, but soon his family moved to Cologne, then to Bonn.
In 1904 he entered the Dyusselfdorfskui Academy of Fine Arts, and the following year and enrolled at the evening department of the School of Decorative Arts, the program that suits him more, because it allows more freedom and autonomy in the work of students.

In 1906, Mac left the Academy. During this time he became acquainted with the new trend in French painting - impressionism. This acquaintance polnostyub changed his approach to art. Macke traveled to Paris several times to see the originals of works of artists that he admired - Manet, Degas, Toulouse-Lautrec, Seurat, Pissarro. During this time he made many sketches, in which he tried to capture fleeting impressions of scenes on the streets, in gardens, cafes ...

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Settling in Berlin, he began to attend the workshop Lovis Corinth, but soon went back to France and then to Italy to buy art for the collection of Kohler. In 1908-1909. He served in the army, which did not give him the opportunity to paint.
In 1909, the newly married Mac settled in Tegenzee. Quiet village life allowed him to work very hard - during this period he wrote about 200 works. Frequency is Tegenzee first vertex creativity Macke: his style is established, all the extra, random disappeared. In the works of this time shows the influence of Cezanne, which is uenil Mac, as well as Fauvism.

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In 1911, Mac moved to Bonn. Konakty with his friend the artist Frantsum Marc, Vasily Kandinsky and other artists "Blue rider" gave new impetus to creativity Maquet. Maquet collaborated actively with Kandinsky infracture a compendium of the "Blue Rider", published in 1912, in particular, he - the author of articles on African masks, in which he drew parallels between the art of primitive peoples and the art of modern Europe.

He participated in the exhibition "Blue rider" in Munich in February 1912 at Tanheyzera. The result of this exhibition, it is very disappointing, and he broke with Kandinsky and the Blue Horseman ": in 1913 he painted" The cartoon on the Blue rider "- a kind of pictorial pamphlet, in which inherited and NGOs friend Franz Marc, and, of course , most Kandinsky and Hervartu Walden, who took "Blue rider" under his wing and exhibited works of the participants in his Berlin gallery.

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In 1913, Mac moved to Switzerland, this period was extremely fruitful for him. He did not remain indifferent to cubism, especially the chromatic Cubism Delaunay (which Apollinaire called Orphism), but found his path: his work, filled with radiant color = atizmom chrome, full of peace: it rides on the lake, it woman, looked at the window of a fashionable shop , townspeople, drinking beer in a tavern in the suburbs. The freshness, delicacy and lyricism of this painting are inherent to it alone. Silhouettes of his graceful girls in the shade of the trees are inspired by artists postimpressmionizma, but the color and light in his works are not real, people often only identified, many studies have characters stand back or in profile to the audience. For Mac it is important not to portray some sort of domestic scenes, and identify her poetry. A certain primeval innocence, transparent stillness, calm, cloudless happiness - that's a world in which he lived, is the most (not to say "only") and harmonious of all the German artists of that time.

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During a brief trip to Tunisia, where he traveled with Paul Klee and Louis Mollier, he made a lot of watercolors, which he later returned home, painted. His latest work is called "Farewell" - it is difficult not to see in this sad work premonitions of what happened soon.

Macke was called up on Aug. 8, 1914 He was killed on the battlefield, in the Champagne, September 28, 1914, and the Earth has lost a huge artist. He was 27 years old.

Consolidated catalog Maquet, compiled Vrisenom Gustav (Gustav Vriesen), consists of 548 watercolors and 550 oils.

Mac page with the prices of his work: http://www.findartinfo.com/search/li...e=August_Macke

Settling in Berlin, he began to attend the workshop Lovis Corinth, but soon went back to France and then to Italy to buy art for the collection of Kohler. In 1908-1909. He served in the army, which did not give him the opportunity to paint.
In 1909, the newly married Mac settled in Tegenzee. Quiet village life allowed him to work very hard - during this period he wrote about 200 works. Frequency is Tegenzee first vertex creativity Macke: his style is established, all the extra, random disappeared. In the works of this time shows the influence of Cezanne, which is uenil Mac, as well as Fauvism.

In 1911, Mac moved to Bonn. Konakty with his friend the artist Frantsum Marc, Vasily Kandinsky and other artists "Blue rider" gave new impetus to creativity Maquet. Maquet collaborated actively with Kandinsky infracture a compendium of the "Blue Rider", published in 1912, in particular, he - the author of articles on African masks, in which he drew parallels between the art of primitive peoples and the art of modern Europe.

He participated in the exhibition "Blue rider" in Munich in February 1912 at Tanheyzera. The result of this exhibition, it is very disappointing, and he broke with Kandinsky and the Blue Horseman ": in 1913 he painted" The cartoon on the Blue rider "- a kind of pictorial pamphlet, in which inherited and NGOs friend Franz Marc, and, of course , most Kandinsky and Hervartu Walden, who took "Blue rider" under his wing and exhibited works of the participants in his Berlin gallery.

In 1913, Mac moved to Switzerland, this period was extremely fruitful for him. He did not remain indifferent to cubism, especially the chromatic Cubism Delaunay (which Apollinaire called Orphism), but found his path: his work, filled with radiant color = atizmom chrome, full of peace: it rides on the lake, it woman, looked at the window of a fashionable shop , townspeople, drinking beer in a tavern in the suburbs. The freshness, delicacy and lyricism of this painting are inherent to it alone. Silhouettes of his graceful girls in the shade of the trees are inspired by artists postimpressmionizma, but the color and light in his works are not real, people often only identified, many studies have characters stand back or in profile to the audience. For Mac it is important not to portray some sort of domestic scenes, and identify her poetry. A certain primeval innocence, transparent stillness, calm, cloudless happiness - that's a world in which he lived, is the most (not to say "only") and harmonious of all the German artists of that time.

During a brief trip to Tunisia, where he traveled with Paul Klee and Louis Mollier, he made a lot of watercolors, which he later returned home, painted. His latest work is called "Farewell" - it is difficult not to see in this sad work premonitions of what happened soon.

Macke was called up on Aug. 8, 1914 He was killed on the battlefield, in the Champagne, September 28, 1914, and the Earth has lost a huge artist. He was 27 years old.

Consolidated catalog Maquet, compiled Vrisenom Gustav (Gustav Vriesen), consists of 548 watercolors and 550 oils.

Mac page with the prices of his work: http://www.findartinfo.com/search/li...e=August_Macke

From childhood, we can say, I know the picture "store hats" (picture 4 in the message number 2).
In the book Modernism, analysis and criticism of the main directions the 73rd city is in the illustrations to the article Expressionism this thing.

Here in the adjacent plot says about investing in the schedule (of course, there are adherents and opponents).

That this image Mac, in my opinion, very good, was sold at Sotheby's a week ago for 85,250 pounds.

Please tell me, do you know these pictures August Macke ---> "Drei Akte mit Rehen am Wasser" and Spaziergaenger am See "- That's what I gave internet (not just apprehended etsky option set name):

1) "Drei Akte mit Rehen am Wasser" - it)

2) "Spaziergaenger am See "--->
 
I am embarrassed by the manner of execution of these works - it seems to me that this is not a lot like August Macke, or am I mistaken?
 But it may be a last option ("Spaziergaenger am See") is more appropriate -

 In the book of German vtora9 not say, unfortunately, a)
Both work quite versed in detail. Thus, "Drei Akte mit Rehen am Wasser" is compared with the fairly well-known painting by Kandinsky - "Pastorale"

"Spaziergaenger am See" - this thing is even more doubt. When translating, I got that, "although the figures still are not subject to fragmentation", and work is still difficult to fully called an example of Cubism, but the contour stresses on sigmetatsiyu arkopodobnye (concave) plane, of course, a rough translation, but, anyway, the first scenario, the proposed search engine internet, I did not see any outline. .. Actually not sure that description sootvetstvuet.Ochen afraid to make the wrong conclusions and to present at the presentation of the report instead of one another, and therefore beg your advice :)> I would really appreciate comments)

And it bother you there?
Quite a August Macke.


By the way, fellow moderators, you can not rename a topic not August Macke, but August Macke.


(TWO K).


And it is awkward.

In the literature on the history of art adopted in Russian writing August Macke (German: August Macke).

Conveniently, all accustomed to.

And properly so.
 
:)>