Цитата:
Сообщение от AlexanderG
(Сообщение 853732)
Naprimer, kak kuratory nabiraiut hudoznikov na svoi proekty - nabiraiut teh, kogo oni znaiut. A segodnia odin chelovek ne mozet obladat 'polnotsennoi informatsiei po takim voprosam. Ee slishkom mnogo.
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AlexanderG, is lazy curators are doing it.
In Italy, it has become very famous talented young curator of the Alberto Agadzani ( Alberto Agazzani), more precisely, there are two characters with whom he had a team Luca Beatrice (Luca Beatrice) and Beatrice Buskaroli (Beatrice Buscaroli) - Curators of the Italian pavilion at the Venice Biennale. So Agadzani implements a very important cultural projects and actually contributes to the revival of figurative painting in Italy (and if it does not do in Italy, it is unclear where this is all done).
For one of its projects ( Here is the link, but in Italian, if strongly Interestingly I put) Agadzani collected 120 paintings of Italian living artists, some quite unknown, has traveled all over Italy, stopping in person at the shop and selected works.
Here is the correct way to become famous.
It is not just a curator, he was art historian, critic and journalist, incidentally, and very handsome man.
And what have we? Catherine Tar, which makes his reputation by talking about shit. |
